Optical image
Found in 344 Collections and/or Records:
Inclusion / Etheredge IV, Lee., 2001
The work was typed with an IBM electric wheelwriter, typewriter onto Japanese paper. -- Source of annotation: Marvin or Ruth Sackner.
[incomplete pyramid] (210467) (proof copy) / Houedard, Dom Sylvester., 1964
[inverted pyramids] (060467) / Houedard, Dom Sylvester., 1967
The two images are created totally with slashes. -- Source of annotation: Marvin or Ruth Sackner.
[I's on Black] / Sharkey, John J.., 1969
This piece is the photographic negative of Sharkey's I's on White. -- Source of annotation: Marvin or Ruth Sackner.
[I's on White] / Sharkey, John J.., 1969
This piece contains two blocks of over-typing of I's on a field of single I's. It also is damaged with two holes within the text. -- Source of annotation: Marvin or Ruth Sackner.
jetzt ist hier / Clahsen, Peer., 1969
The text of each page is progressively rotated clockwise to produce an optical effect by the overlap through the transparent cellophane. -- Source of annotation: Marvin or Ruth Sackner.
Kinetic Writing / Richard Kostelanetz., 2004
There is sound on this DVD. These videopoems were produced from 1985-1989. -- Source of annotation: Marvin or Ruth Sackner.
Kinetic Writing / Richard Kostelanetz., 2004
There is sound on this DVD. These videopoems were produced from 1985-1989. -- Source of annotation: Marvin or Ruth Sackner.
klankteksten ?konkrete poezie visuele teksten Exhibition: Concrete Poetry - First Uses of the Term. No.159 / Anonymous., 1970
This sheet was placed on the wall with adhesive tape as the introduction to the most important exhibition of concrete poetry in its time. Burkhardt's biography. -- Source of annotation: Marvin or Ruth Sackner.
klankteksten ?konkrete poezie visuele teksten Exhibition: piece 1966. No.87b / Shoji Yoshizawa., 1970
This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.
Kosmicka Geometrie / Vyletal, Jan ; Valoch J., 2010
Jiri Valoch contributed an introductory essay for the exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Kykafrikaans: Page 22 / Boshoff, Willem Hendrik., 1980
Kykafrikaans: Page Unnumbered / Boshoff, Willem Hendrik., 1980
This is a page from the manuscript for the only typewritten, concrete poetry book published in South Africa. However, it was not published in the final version of the book. -- Source of annotation: Marvin or Ruth Sackner.
[L and cube slash and dash] / Houedard, Dom Sylvester., 1963
A large L shaped figure and a smaller cube are composed of slashes and dashes. This typing was acquired from Charles Cameron. -- Source of annotation: Marvin or Ruth Sackner.
l + / Mairey, Francoise., 2002
Cards No.8 - 12 were scanned into record. Some signatures are dated 2000. First card dated 2001 but signed on the last card as 2002. -- Source of annotation: Marvin or Ruth Sackner.
La Suite de l'Histoire: Metaphysique 90 / Chopin, Henri., 1990
Lanf of Scoundrels / Doctorovich, Fabio; Bennett, John M.., 1995
Last Trax / Ciani, Piermario., 1987
Latin American Art in Miami Collections / Presser E ; Trasobares C ; Cruz-Diez C ; Riveron E ; Soto J ; Gonzalez-Torres F ; Jaar A ; Kuitca G ; Solar X., 1994
Elena Presser's "Breathing In and Breathing Out" depicted in the catalogue, was borrowed from the Sackner Archive; it was originally commissioned for "The Beauty in Breathing Exhibition." "Physichromie" by Carlos Cruz-Diez, a gift of the Sackners to the Lowe Museum was also exhibited. -- Source of annotation: Marvin or Ruth Sackner.
l'ecriture a l'endroit / Chopin, Henri., 1993
Includes reproductions of seven typewriter poems. -- Source of annotation: Marvin or Ruth Sackner.