Performance poetry
Found in 12 Collections and/or Records:
A Primer of Happenings & Time/Space Art / Hansen, Al ; Higgins D ; Knowles A ; Corner P ; Schneeman C ; Ben ; Kaprow A ; Vostell W ; Oldenburg C ; Brecht G ; MacLow J ; Cage J ; Williams E., 1965
This book was written by Hansen as a first-hand account of the Happenings of the 1960's and documents these now historic performances with photographs by Peter Moore. -- Source of annotation: Marvin or Ruth Sackner.
Calling / Kaprow, Allan; Higgins, Dick., 1967
Ear Magazine. No.6 / Florey M ; Anderson B ; Picard L ; Vostell W ; Higgins D ; Corner P., 1975
Factotumbook: Piano Album: Short Piano Pieces 1962-1984. No.26/Sep / Dick Higgins ; Williams E., 1980
Firefly Music / Higgins, Dick., 1991
Liste 3/92 (4'33") / Bisson-Millet, Paule-Leon ; Cage J ; Brecht G ; Spoerri D ; Shiomi M ; Maciunas G ; Knowles A ; Higgins D ; Saito T ; Williams E ; Ben ; Filliou R ; Vostell W ; Young L., 1992
Contains major listing of works by John Cage. -- Source of annotation: Marvin or Ruth Sackner.
No.56: Art & Literature / Beat Books ; Acconci V ; Lyons J ; Dzama M ; Finlay K ; Hansen A ; Henri A ; Higgins D ; Kaprow A ; Kostelanetz R ; Kruger B ; Cavellini GA ; Morgan R ; Pettibon R ; Porter B ; Prince R ; Schneemann C ; Stein G., 2011
recorthings: bodies electric: arches (1981); requiem for wagner the criminal mayor (1961-1962). No.5 / Dick Higgins., 1983
Stored in box containing tape cassette periodicals of Linebreak, Recorthings and Tellus. -- Source of annotation: Marvin or Ruth Sackner.
Something Else Press / Higgins, Dick., 1991
This exhibition consisted of all the Something Else Press publications. -- Source of annotation: Marvin or Ruth Sackner.
Thirteen Serious Considerations / Higgins, Dick., 1978
Trios / Lurie, Toby ; Higgins D ; Fox H., 2008
These poems reflect Lurie's relationship with language and music. Lurie writes that he is a poet/musician who crosses "that fine border of separation between language and music, molding those two disciplines into a single unified form." In this book language is shaped with the forms of music: fugues, rondos, canons, counterpoint and crab-fugues. -- Source of annotation: Marvin or Ruth Sackner.