Produced by endwar, "this object is modeled on the prayer wheels used in Tibetan Buddism. When spun, the device reads a potentially endless recursive variant of the divine tautology "I AM THAT I AM" used in one on Brion Gysin's permutation poems from 1960. -- Source of annotation: Marvin or Ruth Sackner.

Includes a card written to Pete [Peter Finch?] by Belsey requesting mention of these five cards in your "scene." -- Source of annotation: Marvin or Ruth Sackner.

This anthology is based upon poets that Gibbs met during his first trip to America. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of poems composed between 1975 and 1978. -- Source of annotation: Marvin or Ruth Sackner.

The book is an abridged edition of the first edition that includes 136 rather than 162 poems. -- Source of annotation: Marvin or Ruth Sackner.

The image of a sailboat with a small toy sailboat on its stern, is surrounded by text which reads "Elegy for 'Whimbel' and 'Petrel': Petrol." -- Source of annotation: Marvin or Ruth Sackner.

The book was first published in 1974 and this copy was reprinted in 1984 but is not as experimental as Jandl's "Der Kunstliche Baum." It was awarded the georg-buchner-preis in 1984. -- Source of annotation: Marvin or Ruth Sackner.

This book includes several interviews of Cage by Kostelanetz. -- Source of annotation: Marvin or Ruth Sackner.

The book is shaped like a finger and the subject of all poems in this book deal with fingers. -- Source of annotation: Marvin or Ruth Sackner.

The first Hebrew word, ohel (tent) is changed in five stages to the final word in the column, ruach (wind, spirit). The letter forms are drawn in black ink. The concrete poem suggests how easily a tent can be transformed by wind. -- Source of annotation: Marvin or Ruth Sackner.