This poem is circular in shape and the frame is meant to be hung in a diamond shape. -- Source of annotation: Marvin or Ruth Sackner.

The photographs that were reproduced in this book were taken by Dianne Tammes. -- Source of annotation: Marvin or Ruth Sackner.

This book includes several interviews of Cage by Kostelanetz. -- Source of annotation: Marvin or Ruth Sackner.

The complete title is "erected by the gloucestershire ode producers association." The handwritten name Keith is at the upper right corner. -- Source of annotation: Marvin or Ruth Sackner.

The complete title is "erected by the gloucestershire ode producers association." The handwritten name" keith" is at the upper right corner. -- Source of annotation: Marvin or Ruth Sackner.

This depicts working ideas for Frog Pond Plop, later realized in a different form as Opening Number No.6, 1965 and is stofred in the drawing binder. The typing of this work is stored in the typing binder. -- Source of annotation: Marvin or Ruth Sackner.

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the print was not depicted in the catalogue and the page reference is to Jandl's biography. -- Source of annotation: Marvin or Ruth Sackner.

This is the 1st edition, 2nd printing of the book. The theme of most of the poems deals with family and personal relationships. -- Source of annotation: Marvin or Ruth Sackner.

Date of Birth: 09/24/1925 Date of death: 14/10/1992 Occupation: poet Oliver was born on September 24, 1925 in Behnssen Wroclaw: He attended the School of Finance in Herrsching am Ammersee. During World War II, he fell into Russian captivity. Throughout his life he was employed in various professions: from newspaper seller rags to foreign representatives for Rosenthal porcelain. Oliver Behnssen wrote lyrical texts and aphorisms. Since the 70s he was active in the Munich factory district. Member of the Association of German writers. Oliver Behnssen died on 14 October 1992 in Munich. -- Source of annotation: Marvin or Ruth Sackner.

Max Bense contributed a two page critical essay. Each page depicts a single poem. -- Source of annotation: Marvin or Ruth Sackner.

The word KONTRASTE is printed in two typographic forms. A new word, ROKOKOSSAKKO, is formed vertically from the first letter of each rearranged word. -- Source of annotation: Marvin or Ruth Sackner.

This work includes permutations of the word 'LOVE' in a 2 x 2 square & 2 x 2 diamond shaped grids along with grids with missing letters or totally blank spaces. -- Source of annotation: Marvin or Ruth Sackner.

A red form of a Golem is the background for the text Golem - Genom - GenGolem - LabGolem. In Jewish folklore a Golem is a man-made figure constructed in the form of a human being and endowed with life or an automaton. The name derives from the Hebrew word for a shapeless thing. -- Source of annotation: Marvin or Ruth Sackner.

Also designated PN Special Issue #27. -- Source of annotation: Marvin or Ruth Sackner.

Bremer indicated that his inspiration to write constellations and ideograms came after seeing Pablo Picasso texts at Vallauris. Further, a poem constitutes most of the letter. -- Source of annotation: Marvin or Ruth Sackner.