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Political poetry

 Subject
Subject Source: Sackner Database

Found in 6 Collections and/or Records:

A Wartime Garden / Finlay, Ian Hamilton ; Costley, Ron ; Andrew, John., 1990

 Item
Identifier: CC-10749-10958
Scope and Contents

The book consists of photographic reproductions of Finlay's picture poem drawings and carvings on stone, viz., drawings by Finlay with Ron Costley & reliefs carved in Portland stone, with John Andrew. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Elegiac Inscription / Finlay, Ian Hamilton; Andrew, John; McQueen, Michael., 1995

 Item
Identifier: CC-12941-13233
Scope and Contents

The photgraph depicts an inscription carved on black Belgian Marble. It recounts the attempt to create a new Republican Calendar during the French Revolution. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Et in Arcadia Ego / Finlay, Ian Hamilton; Andrew, John., 1981

 Item
Identifier: CC-12770-13035
Scope and Contents

Depicts a carved in stone image of an armored vehicle in a landscape scene with an additional caption, "After Nicholas Poussin." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Lullaby / Finlay, Ian Hamilton; Andrew, John., 1975

 Item
Identifier: CC-12769-13034
Scope and Contents

The card depicts a grid of carrier-based aircraft with folded wings. The caption "Lullaby" signifies that the airplanes are not prepared for "sleeping" or when flying and attacking an enemy ship destroy it or put it to "sleep." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Nuclear Sail / Finlay, Ian Hamilton; Andrew, John., 1975

 Item
Identifier: CC-61283-10003932
Scope and Contents

The image depicts a silhouette of a submarine conning tower. The card was never distributed in commerce. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Thermidor, 1994

 Item — Box 147: [Barcode: 31858072458007]
Identifier: CC-12767-13032
Scope and Contents

Stephan Bann provides an explanation of the poem in the accompanying leaflet as follows. Thermidor was the month in the French Revolutionary calendar when the summer heat was its most intense, and the grain at its ripest. It was also the month, in 1794, when Robespierre and his followers met their deaths at the guillotine. In the image of this poem, the abrupt cleavage of the word, THER MIDOR, and of the figured sheaf of flowers, suggest the termination of the revolution in its Jacobian sense. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994