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Political poetry

 Subject
Subject Source: Sackner Database

Found in 1444 Collections and/or Records:

Art For Um: Puff-Daddy. No.5/Jan / Malevich K., 1997

 Item
Identifier: CC-30278-31687
Scope and Contents

The recto image is a surrealistic scene with horror figures such as Frankenstein in a field of sunflowers. The verso has three stamps, one U.S. Postal and two by Buster Cleveland, and a reproduction of a Malevich cubo-futurist male figure. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Art For Um: Soft Money. No.10., 1997

 Item
Identifier: CC-30239-31642
Scope and Contents

The card depicts a computerized image of a man with butterfly wings. The varient, unnumbered copy is the unaltered image. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Art For Um: Special Issue Cavellini 1914-1990. Jan / Cavellini GA., 1996

 Item
Identifier: CC-29495-30860
Scope and Contents

The verso has two artist stamps and one postal stamp. All three are cancelled with a U.S. postal stamp. The recto is a portrait of Cavellini pointing out a young woman's nipple. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Art For Um: Special Issue. Sum., 1996

 Item
Identifier: CC-28409-29652
Scope and Contents

This special is neither signed nor numbered. The verso has two artist stamps and one postal stamp. All three are cancelled with a U.S. postal stamp. A fourth cancellation is from Paris in 1957. The recto is a head portrait of Andy Warhol, partially consumed with flames, emerging from a desert background. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Art For Um: Y'a know what I'm saying. No.10., 1997

 Item
Identifier: CC-31593-33091
Scope and Contents

The recto image is a profile of a green head. The verso contains three stamps, one U.S. Postal, the other two by Buster Cleveland. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Art in America: Feminist Art. No.6/Jun-Jul / Phillips T ; Hogarth W ; Latham J., 2007

 Item
Identifier: CC-46602-49332
Scope and Contents Tom Phillips provides a brilliant review of a Hogarth exhibition. According to the the Bullfinch Guide to Art History on a web site "The Artchive," Hogarth, William (1697-1764) was an English painter and engraver. He was one of the leading British artists of the first half of the 18th century. He was trained as an engraver and by 1720 had established his own business printing billheads, book illustrations and funeral tickets. In his spare time he learned to paint, firstly at St. Martin's Lane Academy and then under Sir James Thornhill, whose daughter he married in 1729. He made a name for himself with small family groups (e.g. The Wollaston Family, 1730, H.C. Wollaston's Trustees) and conversation pieces (e.g. The Beggar's Opera, one of several versions, c1729, London, Tate Gallery). Around this time he also set himself up as a portrait painter. Shortly afterwards, in c1731, he executed his first series of modern morality paintings, a totally new concept intended for wider...
Dates: 2007
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Art in America. No.4/Apr / Weiner L ; Hammond J ; Hirsch F., 2008

 Item
Identifier: CC-47743-68762
Scope and Contents

Faye Hirsch contributes an essay "In Memoriam" describing how Jane Hammond mourns U.S. soldiers killed in Iraq one leaf at a time. Hirsch also wrote about the conceptual work of Lawrence Weiner in an essay titled "Where Words Go." It describes how Weiner's "essentially nomadic oeuvre has paused for a time in a voluble retrospective that explores many aspects of his language-based career." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Art In The Mail / Rehfeldt, Robert., 1988

 Item
Identifier: CC-62577-47739
Scope and Contents

This copy is printed on light tan paper. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Art In The Mail / Rehfeldt, Robert., 1988

 Item
Identifier: CC-62578-47740
Scope and Contents

This copy is printed on brown paper. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Art Line Do Not Cross / Ricciardi, Angelo ; Gordon C ; Kahn R ; Fierens L ; Morgan R ; Hamilton R ; Ball H ; Mondrian P ; Duchamp M., 2004

 Item
Identifier: CC-42738-44757
Scope and Contents

Ricciardi appropriated images by earlier artists and received images from contemporary artists that he affixed the label, "Art Line Do Not Cross." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Art & Literature 1945-1990 / Benjamins, John ; Luiggi, Philippe ; Altmann R ; Pomerand G ; Messager A ; Gette PA ; Burroughs WS ; Seuphor M ; Kosuth J ; Broodthaers M ; Bory JF ; Niikuni S ; Garnier P ; Blaine J ; Gerz J ; Arias-Misson A ; Gomringer E ; levy da ; Schneeman C ; Vigo EA ; Heidsieck B ; Finlay IH ; Sarenco ; Isou I ; Dufrene F ; Groh K ; Higgins D ; Debord G ; McClure M ; Bertini G ; Kryss TL ; Chopin H ; deCharmoy C ; Phillips T ; Sabatier R ; Satie A ; Spacagna J ; Mon F ; Neaderland L ; Kempton K ; Degottex J ; Clark TA ; Lemaitre M ; Vodaine J ; Grieshaber H ; Mayer HJ ; MacLow J ; Dupont A ; Tasiv G ; Padin C ; Finch P., 1994

 Item
Identifier: CC-27941-29086
Scope and Contents

Excellent reference scource for avant garde small magazines. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Art of Tortures and Execution - Art Against Tortures and Execution / Umansky, Eugeny, editor ; Bulatov D ; Daligand D ; Doctorovich F ; Kostelanetz R ; Nechvatal J., 2002

 Item
Identifier: CC-43593-45671
Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Art Papers: Campaign Promises. No.3/May-Jun / Macia C., 1988

 Item
Identifier: CC-26208-26671
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Art Press Paris, Announces... / Finlay, Ian Hamilton., 1987

 Item
Identifier: CC-12118-12342
Scope and Contents

In this card, that depicts a newspaper ad, Finlay who was criticized by this magazine for Fascist ideas in turn lashes out at Catherine Millet, its editor, by declaring that she exposes Fascist ideology. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Art Strike. No.1 / Perneczky G., 1990

 Item
Identifier: CC-26224-26687
Scope and Contents

Edited by Geza Perneczky. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Art Strike. No.2 / Perneczky G., 1990

 Item
Identifier: CC-26225-26688
Scope and Contents

Edited by Geza Perneczky. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Arte al Dia. No.90/Mar-Apr., 2002

 Item
Identifier: CC-49697-70750
Scope and Contents

Carlos Luis contributed an illustrated essay entitled "Oyvind Fahlstrom Rediscovered - Redescubrimento de Oyvind Fahlstrom." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Arte e Vida / Duch, Leonhard Frank., 1980

 Item
Identifier: CC-15875-16208
Dates: 1980
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Artifacto Schizofrenia Street Poem Third World / Rosado, Francisco., 1997

 Item
Identifier: CC-39364-41315
Scope and Contents

Each page depicts a photocopy of a collage made by the author during 1991-1997 as his personal diary. The content supports Puerto Rican independence from the U.S. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Artifacto Schizofrenia Street Poem Third World / Rosado, Francisco., 1997

 Item
Identifier: CC-31151-32619
Scope and Contents

Each page depicts a photocopy of a collage made by the author during 1991-1997 as his personal diary. The content supports Puerto Rican independence from the U.S. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

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