In this card, Finlay interprets Samuel Coleridge statement "Nature is the Devil in a fancy waistcoat" to "Nature is a storm trooper in a camouflage smock." -- Source of annotation: Marvin or Ruth Sackner.

Finlay substitutes the words, storm trooper and camouflage smock for the Devil and fancy waistcoat, respectively, in the following quotation from Samuel Taylor Coleridge, "Nature is the Devil in a fancy waistcoat." -- Source of annotation: Marvin or Ruth Sackner.

The image is a sailor in uniform with his hand outstretched as might be depicted in a war poster. -- Source of annotation: Marvin or Ruth Sackner.

The image on the card is a classical pot with a fishnet draped from the top. -- Source of annotation: Marvin or Ruth Sackner.

The image in black and white is of a classical pot with a fishnet draped from the top. -- Source of annotation: Marvin or Ruth Sackner.

The image depicts a silhouette of a submarine conning tower. The card was never distributed in commerce. -- Source of annotation: Marvin or Ruth Sackner.

The image depicts an armored tank camouflaged by a garden scene. The title is a quote from John Milton. -- Source of annotation: Marvin or Ruth Sackner.

The image is of a tank in a garden with the quote of John Milton in the shrubbery. One of the copies of the posters has been folded. -- Source of annotation: Marvin or Ruth Sackner.

This maquette for the instruction sheet of Pacific in red and black ink was done by Michael Harvey. It was part of the Finlay Archive with the same title also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a quotation from Jean-Paul Marat as an imagined admonishment to Michel Blum and Yves Hayat for their rejection of Finlay's commission for the city of Paris. The poem reads, "Paris is the sink of all vices. And its inhabitants claim they are free! They should not flatter themselves; to be free it is necessary to have judgement, courage, virtues......" -- Source of annotation: Marvin or Ruth Sackner.

This is a purely textural work in two colors, each letter of the words alternates as green or blue. This serves as a metaphor for the contrast of liberty and death in the French revolution. -- Source of annotation: Marvin or Ruth Sackner.

Includes the epithats "The French Attache is Paper Mache, Art Press is Part Cress, All that Glitters is not Aryan, Parisians Spoil the French, and The League of Rights Intrigues in Tights." -- Source of annotation: Marvin or Ruth Sackner.

Includes the epithats "The French Attache is Paper Mache, Art Press is Part Cress, All that Glitters is not Aryan, Parisians Spoil the French, and The League of Rights Intrigues in Tights." -- Source of annotation: Marvin or Ruth Sackner.

Includes the epithats, "Don't Put All Your Heads in One Basket, Spare the Blade and Spoil the Factions, and Don't Cast Your Revolutions before Swine. -- Source of annotation: Marvin or Ruth Sackner.

The listing in Finlay's bibliographies indicates that the series contains three cards but this set has a duplicate, "Spare the Blade..." and is missing "Don't Cast Your Revolution..." On the other hand, another card of lighter stock paper that reproduces a comment on the verso of the cards is not cited in the bibliographies. -- Source of annotation: Marvin or Ruth Sackner.

Includes the epithats, "Don't Put All Your Heads in One Basket, Spare the Blade and Spoil the Factions, and Don't Cast Your Revolutions before Swine. -- Source of annotation: Marvin or Ruth Sackner.

Lists names, ages and occupations of French people who died during days 7-9 of the tenth calendar month of the French Republic, Messidor June 20-July 19. The texts were presumably taken from their tombstones. -- Source of annotation: Marvin or Ruth Sackner.

Two excerpts, one from a soldier in Hitler's Youth Division and the second from Peter Pan, compare personal thoughts preceding possible death. -- Source of annotation: Marvin or Ruth Sackner.