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Pre-Mallarme work

 Subject
Subject Source: Sackner Database

Found in 238 Collections and/or Records:

The Spheres Pages 174 & 163 / Macia, Carlos., 1993

 Item
Identifier: CC-06417-6535
Scope and Contents

This drawing was made on pages 174 & 163 of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The pages themselves have engravings that Macia incorporated into the new image. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

The Story of Samson, 1750

 Item — Box 104
Identifier: CC-62046-10004457
Scope and Contents A large micrographic Bible illustration depicting Manoah and the angel, Samson and the lion, and Samson and Delilah. The story of Samson from Judges is told in three scenes. In the first Manoah and hsi wife are visited by an Andel of the Lord, who tells them that the wife, previously barren, will conceive. Manoah makes a sacrifice on an altar which the angel miraculously causes to burst into flame by touching it with his staff. Manoah and his wife are amazed. In the middle of the image is Samson, their now grown son, killing a lion with the strenght the lord has given him. In the final scene, Samson falls asleep on Delilah's lap, soon to have his hair cut off and to be blinded. In the distance are the cities of the Philistines and the temple Samson will one day pull down. The five chapters from Judges (13-17) that tell Samson's story are given at teh bottom half of the sheet in a blackletter font, most like Textur, most of it in miniscule letters. But even more amazing is the fact...
Dates: 1750

Three Classics of Italian Calligraphy / Ogg, Oscar, editor ; Arrighi L ; Tagliente G ; Palatino G., 1953

 Item
Identifier: CC-05356-5459
Scope and Contents

This is a reprinting of the writing books of three classic Italian calligraphers. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Tom Phillips / Russell, John., 1993

 Item
Identifier: CC-31394-32881
Scope and Contents

Reviews Phillips' Dante's Inferno exhibition at the Center for Book Arts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Una Selva Oscura: Tom Phillips's Inferno / Phillips, Tom ; Phillips T ; Ray K., 1997

 Item
Identifier: CC-28695-29997
Scope and Contents This beautifully produced catalogue was published for the exhibition in the Olin Library at Washington University by the curator, scholar and Head of Special Collections, Kevin Ray. It coincided with the exhibition and symposium "The Dual Muse: The Artist as Writer and the Writer as Artist" organized by the Gallery of Art and the International Writers Center. The Sackner Archive lent nine handwritten and typed bound volumes of Phillips' Dante manuscripts, two silkscreen prints, eleven collages from the "Dante Diary," and a typewriter work on backing paper incorporating all the words of Phillips' first translation of the Inferno. Kevin Ray contributed an illuminating essay tracing the history of translations and illustrations of Dante, including the works of Botticelli, Gustave Dore, Blake and Rauschenberg. Ray writes that in the Tom Phillips' Inferno, the artist, incorporates "much of the method he developed in creating A Humument, 'treating' an existing text and making of it...
Dates: 1997

Una Selva Oscura: Tom Phillips's Inferno / Phillips, Tom ; Ray K ; Sackner RK ; Sackner MA ; Traister D ; Blake W ; Rauschenberg R., 1997

 Item
Identifier: CC-28699-30001
Scope and Contents This beautifully produced catalogue was published for the exhibition in the Olin Library at Washington University by the curator, scholar and Head of Special Collections, Kevin Ray. It coincided with the exhibition and symposium "The Dual Muse: The Artist as Writer and the Writer as Artist" organized by the Gallery of Art and the International Writers Center. The Sackner Archive lent nine handwritten and typed bound volumes of Phillips' Dante manuscripts, two silkscreen prints, eleven collages from the "Dante Diary," and a typewriter work on backing paper incorporating all the words of Phillips' first translation of the Inferno. Kevin Ray contributed an illuminating essay tracing the history of translations and illustrations of Dante, including the works of Botticelli, Gustave Dore, Blake and Rauschenberg. Ray writes that in the Tom Phillips' Inferno, the artist, incorporates "much of the method he developed in creating A Humument, 'treating' an existing text and making of it...
Dates: 1997

Venantius Fortunatus Opera Poetica II:5 / Cook, Geoffrey., 1979

 Item
Identifier: CC-57657-10000924
Scope and Contents

Signed photocopy of original -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Visible Language: The Origin of Visible Language in the New World. No.1/Win / Denise Schmandt ; Besserat., 1991

 Item
Identifier: CC-00888-911
Scope and Contents

The theme of this issue is concerned with the decipherment of early Central American scripts and pre-literate symbolic systems, including those of the Olmecs, late formative cultures, Mayas, and Mixtecs. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Visual Explanations / Tufte, Edward R. ; Bragdon C ; Cornell J ; Danto A ; Friedman M ; Ives N ; Klucis G ; Lichtenstein R ; Lissitzky E ; Malevich K ; Marcus A ; Morison S ; Poggi C ; Rushdie S ; Shattuck R ; Tansey M ; Wilmarth C., 1997

 Item
Identifier: CC-28352-29533
Scope and Contents

In the introduction, Tufte characterizes his three books on information design as follows. The Visual Display of Quantitative Information is about pictures of numbers, i.e., depicting data and statistics. Envisioning Information is about pictures of nouns and visual strategies for design. Visual Explanations is about pictures of verbs, the representation of mechanism and motion, of process and dynamics, of causes and effects, of explanation and narrative. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997