Punctuation poem
Found in 140 Collections and/or Records:
[?], 2013
This work is depicted on page 83 of Azcarate's catalogue "Liminal." -- Source of annotation: Marvin or Ruth Sackner.
2 _ for raoul housmann 65 (250766) / Houedard, Dom Sylvester., 1966
This work depicts squiggley lines formed from the @ character. -- Source of annotation: Marvin or Ruth Sackner.
3 o 4 conferencias / Valcarcel Medina, Isidoro., 2002
[16 colons in 2 rows] (300663) / Houedard, Dom Sylvester., 1963
[17 colons set diagonally] (300663) / Houedard, Dom Sylvester., 1963
The two lines of 17 typed colons follow a crease in the page. -- Source of annotation: Marvin or Ruth Sackner.
[23 colons set diagonally] (300663) / Houedard, Dom Sylvester., 1963
The angle of the typed colons follows a crease in the paper. -- Source of annotation: Marvin or Ruth Sackner.
50% Rain - 100% Rain / Tot, Endre., 1976
A Collection of Fine Prints: Pause / Depew, Wally., 1985
The suite of 28 prints/drawings are stored in one single folder. -- Source of annotation: Marvin or Ruth Sackner.
A Kite for & and Many %: 1990 / Chopin, Henri., 1990
[abstract composition] (240664) / Houedard, Dom Sylvester., 1964
[Abstract images] / Hrdy, Joseph., 1980
[Abstract Landscape & Hills] (100564) / Houedard, Dom Sylvester., 1964
Abstract Poems / Phillips, Michael Joseph ; Finlay IH., 1976
Acquaintance With Celestials / Mott, Michael., 1971
The artist composed the work on an Olympia Splendid 99. In a personal communication to Marvin Sackner in 2013, Mott stated that the his typewritings were inflenced by Margaret, his first wife's (died in 1990) weavings plus reading on knots, quipu, etc and not by reading Monk's Pond that he was unaware of until the 1980s. He further mentioned that he employed "various degrees pf pressure to give variations and life to the work." -- Source of annotation: Marvin or Ruth Sackner.
(an anagram) / Houedard, Dom Sylvester., 1968
August Light Poems / Mac Low, Jackson ; Lezak I., 1967
Iris Lezak designed the cover. -- Source of annotation: Marvin or Ruth Sackner.
Big Lovely Comma / Gerz, Jochen., 1968
Each drawing consists of a large, inked comma, one facing left and one facing right set on a dotted line. Or is one a comma and the other a quote mark? The translucent sheet is placed over the paper one and each has a single comma drawn upon it. This is designated as No.501 in Gerz's Catalogue Raisonee Volume III but the primary object is the one on translucent paper. So the preceding analysis of the two works may b incorrect and the one on plain paper may be only a copy. -- Source of annotation: Marvin or Ruth Sackner.
Blason Du Corps Feminin / Garnier, Ilse., 1979
Each page has one or two phrases of a poem along with handrawn lines on the words of the poem that deals with variations of a feminine body. -- Source of annotation: Marvin or Ruth Sackner.
Bleeping Expletives / Leida, Edward., 2009
The letters of the title are composed of the 2009 typewriter signs #%&!@$*. -- Source of annotation: Marvin or Ruth Sackner.
Bonne Annee 2006! / DuPont, Albert; Matta R., 2003
This is an unnumbered copy from an edition of 130. -- Source of annotation: Marvin or Ruth Sackner.