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Repetitious text

 Subject
Subject Source: Sackner Database

Found in 684 Collections and/or Records:

Dream / Depew, Wally., 1985

 Item
Identifier: CC-52963-74106
Scope and Contents

One of the drawings depicts smudged words -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

DREAM OCEAN DREAM / Depew, Wally., 1984

 Item
Identifier: CC-52978-74122
Scope and Contents

The pages of this long poem can be arranged by the reader. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Echo Book / King, Ron., 1994

 Item
Identifier: CC-08125-8286
Scope and Contents

The words ECHO BOOK are blind embossed on the cover and each page of the book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Editions Camomille: Cite/Steeds. No.7 / Albert Pepermans ; Hugo Claus ; Freddy De Vree., 1990

 Item
Identifier: CC-13472-13774
Scope and Contents

The format for every two fold-out pages is a suite of printed images that consists of semi-realistic, line drawing outlines of the subject matter and two filled in black and white prints of the same image, one with positive, the other with negative reproductions. These are accompanied by poem in French and Flemish. The translator was Freddy De Vree. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Emigre / Sloy., 1994

 Item
Identifier: CC-32796-34409
Scope and Contents

The word "emigre" is written repetitively in a grid with varied sizes and spaces to the lines of writing. This is a unfolded mailing poster to announce Emigre 32. The single fold in the center was made for convenience of storage. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

eros / Williams, Emmett., 1979

 Item
Identifier: CC-56976-62938
Scope and Contents These prints, depicted as reproductions in this issue, were shown in a show entitled Generations and Continuities (1979-1980) held at Carpenter Center for the Visual Arts, Harvard University.At the opening of the exhibition Yo-Yo Ma himself performed Incidental Music for Yo-Yo Ma, playing a Bach unaccompanied suite, accompanied by the late Ivan Tcherepnin making waves of electronic distortion to match the progressive complexity of the score. he five suites of serigraphs shown in the exhibition - Eros, Shakespeare's XXXth, A-Journey, Impressions of Japan and Incidental Music for Yo-Yo Ma were produced by Edition Noël at Harvard in 1979-1980. All of them are based on experiments in the electrostatic distortion and generation of texts and images. To oversimplify: I used the Xerox 3100 duplicating machine at Leverett House, Harvard University, as a creative tool to perform tasks that makers, buyers and users of such machines used to consider (a) a misuse of sophisticated hardware, (b)...
Dates: 1979