Repetitious text
Found in 134 Collections and/or Records:
[Landscape], 1980
Landscape for Marvin and Ruth, 1981
Letter to Jacob Leed, re: publishing Tom Kryss' book: [im trying to hit everyone i know...], 1968
levy asks Leed for a donation to print a book by Tom Kryss. -- Source of annotation: Marvin or Ruth Sackner.
Life Cycles, 1970
The word "eat" is printed 19 times in a center column. On the top line, The letters "cr" and "ion" are added to form creation. In the middle of the column, "procr" and "ion" are added to spell procreation. At the bottom "d" and "h" are added to state death. Jacoby writes on the verso of the frame, "One definition of EAT: To corrode; waste or wear away. Life cycles are birth - sex - death. This poem is a combination of man's life cycles with the life process of wearing away." -- Source of annotation: Marvin or Ruth Sackner.
Linade / Cobbing, Bob., 1989
Logic, 1975
Logorinthe (Post-Roman), 1968
LORA-TOTINO ED 912 Posters (Situazione, No. 5): Movimento, 1966
On the verso of thIs numbered copy, the signature of the previous owner, Bob Cobbing appears. -- Source of annotation: Marvin or Ruth Sackner.
[Mail Art], 1987
Includes "Make Something Differently," "The erotic is pleasure seeking its coherence," "Towards a new alphabet," and other photocopied work, including a message from Miekal And.
masking, 2014
Miniature Obscure, No. 6: Between, 1996
Cards and objects of the same dimensions are stacked between two square, thick wooden plywood boards that are held together by two long screws with flanged nuts. The word "between" is printed on the cover board and blind embossed on the dividing handmade thick paper sheets. Most of the artwork relates directly to the theme of this assembling, e.g., 'zwischen' in German, 'between' in English. This theme is expressed in both verbal and visual images. -- Source of annotation: Marvin or Ruth Sackner.
Modular Poems, 1974
In his introduction, Higgins defines a modular poem "in which the principle structural factor is the repetion, usually in different contexts, of one of more elements of th text. Each element becomes a module which may be expanded, compressed or otherwise altered. Or not." The book is illustrated with photographs mainly of old machinery by Eugene Williams. -- Source of annotation: Marvin or Ruth Sackner.
Nine Essays on Concrete Poems, 1974
Includes several reprinted dictionary definitions of the words, "Concrete, Essay, Poem, and Poets." The back cover depicts a portrait of Wally Depew in Ben Day dots. -- Source of annotation: Marvin or Ruth Sackner.
On Impulse / Cobbing, Bob., 1994
This book provides s sampling of Cobbing's previously published poetry. -- Source of annotation: Marvin or Ruth Sackner.
Ozon, 1969
The poem with red colored, repetitive words of the title is printed in a large typeface in a circular shape. -- Source of annotation: Marvin or Ruth Sackner.
Pagina/finestra (Window-Page), 1971
Object is inscribed with the Italian word "piove" (it rains) along with several ditto marks. -- Source of annotation: Marvin or Ruth Sackner.
Paralengua, 1994
Consists of four computer portraits in red and black including one of Doctorovich himself composed with the word paralengua in various typefaces. -- Source of annotation: Marvin or Ruth Sackner.
Paste Book Number One: For You You You, 1985
The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. -- Source of annotation: Marvin or Ruth Sackner.
Paste Book Number One: Ho Ho Ho, 1985
The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. -- Source of annotation: Marvin or Ruth Sackner.
Poems to Hear and See, 1971
This trade anthology of Finlay's concrete poetry is printed with several different inks on paper with several different colors. -- Source of annotation: Marvin or Ruth Sackner.
