Includes several reprinted dictionary definitions of the words, "Concrete, Essay, Poem, and Poets." The back cover depicts a portrait of Wally Depew in Ben Day dots. -- Source of annotation: Marvin or Ruth Sackner.

The poem with red colored, repetitive words of the title is printed in a large typeface in a circular shape. -- Source of annotation: Marvin or Ruth Sackner.

Object is inscribed with the Italian word "piove" (it rains) along with several ditto marks. -- Source of annotation: Marvin or Ruth Sackner.

Consists of four computer portraits in red and black including one of Doctorovich himself composed with the word paralengua in various typefaces. -- Source of annotation: Marvin or Ruth Sackner.

This trade anthology of Finlay's concrete poetry is printed with several different inks on paper with several different colors. -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy. The title refers to a license plate of an automobile which has been printed on each of three pages four times in different typefaces. The last page depicts three hand formed letter "o's." -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy. The theme of this poem is the eating of melons. -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy. This booklet consists of a concrete poem which employs Scottish words that deal with the docking maneuver for a ship in harbor. -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy. This book has a concrete poem that depicts a sexual orgasm; another version was published by the poet in the Ohio City Series. The author subsequently wrote feminist critical texts. -- Source of annotation: Marvin or Ruth Sackner.

The poem is printed with black letters on a red background; the English, he and she, are printed vertically with the E's interlocked as a metaphor for sexual intercourse. -- Source of annotation: Marvin or Ruth Sackner.

The letters formed at the top of the repetitious text by utilization of negative space spell BRIER. -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts colored, tautologic text of the title. The images in the book depict a side view of a face over the passage of time. -- Source of annotation: Marvin or Ruth Sackner.

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Sloy did the drawings and Dave made the box which they gifted to the Sackners in memory of their visit to their studio home in 2009. During this first meeting, the Sackners mentioned one of their favorite, unusual words that almost eveyone does at sometime in their house. Scurryfunge is an archaic English word that means "a hasty tidying of the house between the time you see a neighbor and the time she knocks on the door." Sloy liked it so much that she did these fantastic calligraphic drawings that featured this word. -- Source of annotation: Marvin or Ruth Sackner.