Repetitious text
Found in 684 Collections and/or Records:
Bright Bright... / Depew, Wally., 1985
Two of these four colored rubberstampings superimpose the word "BRIGHT" in two different colored inks whereas in the other drawings, the words are smudged. -- Source of annotation: Marvin or Ruth Sackner.
Busta Celeste / Lora-Totino, Arrigo; De-Alexandris, Sandro., 1979
The poem deals with the theme of a dark blue sky. This work is also designated situazioni plasticoverbali No.3. -- Source of annotation: Marvin or Ruth Sackner.
Butt Wipe, 1998
The expression "butt wipe" is written as a grid obsessively on the entire roll of toilet paper. The box was made by Sloy's husband, Nic. -- Source of annotation: Marvin or Ruth Sackner.
Caco-Colo Gassic / Perrone, Charles., 1988
Perrone, a Brazilian concrete poetry scholar made this piece as a take-off on Decio Pignatari's "Totem para Decio Pignartari," 1957-1979. -- Source of annotation: Marvin or Ruth Sackner.
Cahiers Loques: Enonce Du Probleme. / Julien Blaine., 1981
Cahiers Loques: Il Suffit d'un Coup de D pour que Pire se change en Dire. / Pierre Tilman., 1983
Letters from the game of Scrabble are incorporated into the typography of the poems. -- Source of annotation: Marvin or Ruth Sackner.
Cairns: [...d'acqua]. No.12 / Greta Schodl., 1994
Edited by Carla Bertola. The gold leaf accents on the cover and pages are typical of Schodl's artistic style. -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy Series / Hasekura, Takako., 1997
The prints are composed of scanned handwritten, lower case, colored text placed in rectangular grids. The calligraphy is so precise that on first glance it appears to be computer or typewritten generated text. But on close scrutiny, the slight differences from letter to letter identify the text as handwriting. The suite was a presentation made to the Sackners on their request to purchase originals of the artist's work which was done on the basis of these reproductions. Two of the handwritten poems are bordered with collages. The titles of each poem are printed below the poem both in English and Japanese. These include Violet/Violent, Egoism/Mine and Willow/Weep/Pillow. -- Source of annotation: Marvin or Ruth Sackner.
Canadian Small Change Association (CSCA): Hobo Change BA. No.1/Mar / Don Van Vliet., 1995
Canto Nono / Pimenta, Alberto., 1981
caress / Depew, Wally., 1984
Cenizas. No.33/Sum., 1985
Three pages are collaged with dried roses. -- Source of annotation: Marvin or Ruth Sackner.
Centro Tool: testi concezionali. No.3/Feb / Heinz Gappmayr., 1970
This card also served as an exhibition announcement. Stored with Tool Publications. -- Source of annotation: Marvin or Ruth Sackner.
Cette Carte et Autres Faits / Blaine, Julien., 1968
Blaine introduces the term "l'actionecriture" (action writing) for his letter picture poems. -- Source of annotation: Marvin or Ruth Sackner.
Chaman/Lieu / de Charmoy, Cozette ; Artaud A., 1993
Postface that was written by Rodney Grey gives an account of the subject of this book, the Shaman and his/her space. -- Source of annotation: Marvin or Ruth Sackner.
Channel 1 The Best / Ciani, Piermario., 1988
CHAOS DATURA DAZZLE ELEPHANT GORGE NOMAD NOTHING RESIST STARVE WALK WHALE [CR]Hear The Balls Bounce / Hear The Tits Jiggle / Depew, Wally., 1984
These drawings are rubberstamped with all uppercase letters. -- Source of annotation: Marvin or Ruth Sackner.
Charles Baudelaire: Je Hais Le Movement Qui Deplace Les Lignes / Broodthaers, Marcel ; Baudelaire C., 1973
Cheek to Cheek / Allen, Jo Harvey., 1983
Christmas 1968; 14 Poets / Wagner, D.r., editor ; Harris DW ; Banks R ; Blazek D., 1968
The silkscreen print on the cover was made by D.r. Wagner. There is a poem composed by David W. (Weed) who is also known as David UU and David W. Harris. -- Source of annotation: Marvin or Ruth Sackner.