This photograph was submitted for inclusion in Bremer's book, "Texte und kommentare zwei vortrage." -- Source of annotation: Marvin or Ruth Sackner.

These poems were written by students at Epping Forest High School, Loughton, Essex, when Bob Cobbing was the visiting poet. -- Source of annotation: Marvin or Ruth Sackner.

Johnson writes in the introduction, "These poems are listenings, as poems must listen and sing simultaneously. They are a progression of hearings of Mahler's 'Song of the Earth' on records, in concert, and in my head."The only difference between this disavowed edition and the regular edition that is also held by the Sackner Archive is the inclusion of one rather than three blank pages at the end of the book. -- Source of annotation: Marvin or Ruth Sackner.

Johnson writes in the introduction, "These poems are listenings, as poems must listen and sing simultaneously. They are a progression of hearings of Mahler's 'Song of the Earth' on records, in concert, and in my head."The only difference between this regular edition and the disavowed edition that is also held by the Sackner Archive is the inclusion of three pages rather than one blank page at the end of the book. -- Source of annotation: Marvin or Ruth Sackner.

Claus Bremer was born in Hamburg Germany in1924 and died in Zurich Switzerland in1996. -- Source of annotation: Marvin or Ruth Sackner.

The first copy was acquired in 1991; a second copy with slightly different color registrations and higher prices published in 2007 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The first copy was acquired in 1991 and held by the Sackner Archive; this second copy with slightly different color registrations and higher prices was published in 2007. -- Source of annotation: Marvin or Ruth Sackner.

Poem consists of phrases which contain the word "Jack." -- Source of annotation: Marvin or Ruth Sackner.

This object was formed from by photocopied hand lettered text in the style Phillips uses for his text based sculptures, where each letter is physically linked to adjacent ones. The photocopied sentence of the title, glued onto the cube is repeated twice on each of its surfaces. The Sackner Archive also holds the hand-drawn maquette for this work. The text is by the philosopher Ludwig Wittgenstein. -- Source of annotation: Marvin or Ruth Sackner.

For this piece, Tom Phillips lettered the text in the style he used for his text based wall sculptures. Each letter is linked to adjacent ones. The sentence of the title is repeated twice on each surface of the cube. The text is by the philospher Ludwig Wittgenstein.Phillips writes, "The series of cubes began with a cage of wire made for The Globe Theatre's production of A Winter's Tale. A cage of wire words followed to exemplify Wittgenstein's proposition 'The Limits of My Language are the Limits of My World'. Printing this on an acrylic cube where the inside can be seen and, by an oddity of optics, experienced from the outside seemed to unite the reading of a statement with its perception as a metaphor. Reversing the text on the outside in a later version emphasised the trap of language that Wittgenstein describes." -- Source of annotation: Marvin or Ruth Sackner.

For this maquette, Tom Phillips hand lettered the text in the style he used for his text based wall sculptures. He marked design changes in small, red symbols. Each letter is linked to adjacent ones. The sentence of the title is repeated twice on each surface of the cube and hand-drawn on each surface of the wooden cube. The maquette is slightly smaller than the finished work that is also held by the Sackner Archive. The text is by the philospher Ludwig Wittgenstein. -- Source of annotation: Marvin or Ruth Sackner.

Poem by R. Bradbury. Designed and printed by R. Bigus. -- Source of annotation: Marvin or Ruth Sackner.

The portrait of Mrs. King is formed from the slashes over the appropriate words. -- Source of annotation: Marvin or Ruth Sackner.