The letters formed at the top of the repetitious text by utilization of negative space spell BRIER. -- Source of annotation: Marvin or Ruth Sackner.

These poems were written by third year students at Epping Forest High School, Loughton, Essex, when Bob Cobbing was a visiting poet. -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts colored, tautologic text of the title. The images in the book depict a side view of a face over the passage of time. -- Source of annotation: Marvin or Ruth Sackner.

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Sloy did the drawings and Dave made the box which they gifted to the Sackners in memory of their visit to their studio home in 2009. During this first meeting, the Sackners mentioned one of their favorite, unusual words that almost eveyone does at sometime in their house. Scurryfunge is an archaic English word that means "a hasty tidying of the house between the time you see a neighbor and the time she knocks on the door." Sloy liked it so much that she did these fantastic calligraphic drawings that featured this word. -- Source of annotation: Marvin or Ruth Sackner.

The poet learns at age 48 that he has Tourette's Syndrome, a disease of uncontrollable tics and ranter. Previously, it was thought that he was just "one crazy poet." These poems depict Tourett's Syndrome through poetry. -- Source of annotation: Marvin or Ruth Sackner.

These poems were written by students at Epping Forest High School, Loughton, Essex, when Bob Cobbing was the visiting poet. -- Source of annotation: Marvin or Ruth Sackner.

Johnson writes in the introduction, "These poems are listenings, as poems must listen and sing simultaneously. They are a progression of hearings of Mahler's 'Song of the Earth' on records, in concert, and in my head."The only difference between this disavowed edition and the regular edition that is also held by the Sackner Archive is the inclusion of one rather than three blank pages at the end of the book. -- Source of annotation: Marvin or Ruth Sackner.

Johnson writes in the introduction, "These poems are listenings, as poems must listen and sing simultaneously. They are a progression of hearings of Mahler's 'Song of the Earth' on records, in concert, and in my head."The only difference between this regular edition and the disavowed edition that is also held by the Sackner Archive is the inclusion of three pages rather than one blank page at the end of the book. -- Source of annotation: Marvin or Ruth Sackner.

The first copy was acquired in 1991; a second copy with slightly different color registrations and higher prices published in 2007 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The first copy was acquired in 1991 and held by the Sackner Archive; this second copy with slightly different color registrations and higher prices was published in 2007. -- Source of annotation: Marvin or Ruth Sackner.