The cover was designed by Peter Manson. The final section of this book consists of annotations to the poems. -- Source of annotation: Marvin or Ruth Sackner.

Single words are arranged vertically, horizontally, and diagonally to simulate the shape of twelve snowflakes. This arrangement is scored for sound or performance poetry. -- Source of annotation: Marvin or Ruth Sackner.

bp Nichol dedicated this book "to Bob Cobbing who took that chance of first publishing me thank you." The paper slip contains the following: "KONFESSIONS OF AN ELIZABETHAN FAN DANCER is a collection of bp Nichol's "borderblur" pieces from the period 1964-1966. It includes some previously unpublished material. It is ironical that Nichol's work of this perid, upon which his earlier reputation was based, has not previously been published in book form in Canada. KONFESSIONS fills the gap." -- Source of annotation: Marvin or Ruth Sackner.

This book consists of a reprinting of several previously published poems. -- Source of annotation: Marvin or Ruth Sackner.

This book provides s sampling of Cobbing's previously published poetry. -- Source of annotation: Marvin or Ruth Sackner.

Designated writers forum folder number seven. This tenth publication of Cobbing includes new versions of the following poems: "Soma," "Whisper Piece," "Vertigo," "Marvo Movies Natter," and "Transcript." Colophon states "Why Shiva has ten arms / for he represents the dance of life / the omnipotence of being able to do innumerably / many things at once / .the joyous cosmology -- Source of annotation: Marvin or Ruth Sackner.

Designated writers forum folder number seven. This tenth publication of Cobbing includes new versions of the following poems: "Soma," "Whisper Piece," "Vertigo," "Marvo Movies Natter," and "Transcript." -- Source of annotation: Marvin or Ruth Sackner.

There is a brief, very informative abstract in English at the beginning of the book. The book is divided into three chapters, viz., 1) Evolution of visual poetry to the 20th century, 2) Contemporary visual poetry of the 20th century, and 3) Evolution of Ukrainian visual poetry in a world context. A photograph of Soroka flanked by Dick Higgins and Marvin Sackner taken at the EyeRhymes visual conference at Edmonton, Canada 1997 is reproduced. Marvin Sackner is characterized as "the owner of the biggest archive of visual poetry."The book depicts more than 20 examples in the Old Ukrainian language and 49 examples in many national literatures. -- Source of annotation: Marvin or Ruth Sackner.