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Shaped poetry

 Subject
Subject Source: Sackner Database

Found in 7 Collections and/or Records:

Angste / Hoesselbarth, Kai., 1991

 Item
Identifier: CC-39036-40974
Scope and Contents

This poem depicts the silhouette of a man's face and upper torso formed by the word "optimist" as a tautology. He is breaking out from the bars of a cell formed from a tautology of the words "stop, Angste (anxiety), Befurchtungen (worry), Bedenken (concern), Einwande (contradiction); Hemmungen (timidity), Vorbehalte (reservation), and Zweifel (doubt)." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Angste / Hoesselbarth, Kai., 1991

 Item
Identifier: CC-09334-9520
Scope and Contents

This poem depicts the silhouette of a man's face and upper torso formed by the word "optimist" as a tautology. He is breaking out from the bars of a cell formed from a tautology of the words "stop, Angste (anxiety), Befurchtungen (worry), Bedenken (concern), Einwande (contradiction); Hemmungen (timidity), Vorbehalte (reservation), and Zweifel (doubt)." Hosselbarth or Hoesselbarth is now known as Kai Selbar. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Denkzerrung / Hoesselbarth, Kai., 1993

 Item
Identifier: CC-09727-9920
Scope and Contents

The title translates to mental capacity for pulling. The image printed on the cover and utilized in four of the prints consists of a stylized pair of hands formed by text. Hosselbarth or Hoesselbarth is now known as Kai Selbar. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Harald im Profil / Hosselbarth, Kai., 1998

 Item
Identifier: CC-30301-31710
Scope and Contents

The subject is a profile of a man with each part of the head printed as a word, e.g., Nase Nase Nase to form the nose. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Typogramme / Hoesselbarth, Kai., 1992

 Item
Identifier: CC-39061-40999
Scope and Contents

The concrete poems in this portfolio are printed with contemporary typefaces sans serif. Hosselbarth or Hoesselbarth is now known as Kai Selbar. The Sackner Archive holds two copies of this portfolio. In this one, the portfolio is covered with black fabric and the cover print has a black background. In the other copy, the portfolio is covered with brown fabric and the cover print has a blue background. The images of the prints are identical but there are minor differences in color registration on some of them. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Typogramme / Hoesselbarth, Kai., 1992

 Item
Identifier: CC-27644-28726
Scope and Contents

The concrete poems in this portfolio are printed with contemporary typefaces sans serif. Hosselbarth or Hoesselbarth is now known as Kai Selbar. The Sackner Archive holds two copies of this portfolio. In this one, the portfolio is covered with brown fabric and the cover print has a blue background. In the other copy, the portfolio is covered with black fabric and the cover print has a black background. The images of the prints are identical but there are minor differences in color registration on some of them. The number of artist proof copies is unknown. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Typogramme / Hoesselbarth, Kai., 1988

 Item
Identifier: CC-09333-9519
Scope and Contents

The poem depicts a bow and arrow with the bow formed from the word "mehrheit" repeated three times. the arrow is formed from the word "andersdenkende." Mehrheit means majority and andersdenkende dissident in English. The arrow pierces the bow and drips red drops of blood. the verso depicts a fragment of another shaped poem. Hosselbarth or Hoesselbarth is now known as Kai Selbar. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988