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Shaped poetry

 Subject
Subject Source: Sackner Database

Found in 110 Collections and/or Records:

[12 Poems] (240463-150663), 1963

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-08756-8930
Scope and Contents

This work consists of 12 concrete and conventional with handwritten corrections. The poem, POEME BLANc (140663) consists of the title with an empty space below it. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

A Basket of Chestnuts, 1981

 Item
Identifier: CC-10839-11049
Scope and Contents

G. Cook's translations fron "The Miscellanea of Venantius Fortunatus" is introduced by Dick Higgins who describes Fortunatus as "perhaps the greatest master of Christian poetry." Included in the book are six examples of emblem or shaped poems from the sixth century. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Agentzia Blatt: [Mer]. No.2, 1970

 Item — Folder 10: [Barcode: 31858069877912]
Identifier: CC-28137-29300
Scope and Contents

Words in three languages, relating to the sea, appear to be floating in a circle. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Agentzia Blatt: [$]. No.3, 1971

 Item — Folder 10: [Barcode: 31858069877912]
Identifier: CC-23520-23965
Scope and Contents

A large letter 'S,' flanked by two vertical 'I's' to the right, are formed by typewitten generated words. All words in the 'S' begin with the letter 's,' whereas the words in the two 'i' columns, which should begin with the letter 'i,' lack this letter. It is up to the reader to utilize the letter 'i' when reading the text in these columns. The words appear to be randomly chosen as in automatic writing but have political overtones. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Aliquotality / Furnival, John., 1973

 Item — Folder 39: [Barcode: 31858072459997]
Identifier: CC-13316-13617
Scope and Contents

Images consist of language towers, number tower, the Statue of Liberty, a cowboy and Uncle Sam dipping an Englishman into a pot of tea. This print is depicted in Furnival's "Lost For Words" on pages 58-59. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

Alphabet Delight, 2007

 Item — Box 198: [Barcode: 31858072459682]
Identifier: CC-46563-49292
Scope and Contents

This dinner set was produced with the help of George Mill. Each plate and the napkin contain a different design composed of letters from the Serbian alphabet. This is a first edition of a unique limited collection. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

Arc d'Triomphe May 1968 / Furnival, John., 1968

 Item — Folder 38: [Barcode: 31858072459989]
Identifier: CC-13318-13619
Scope and Contents

The print depicts the Arc d'Triomphe as a shaped poem formed by collaged newsprint and calligraphic text. This Parisian structure is depicted facing the Avenue des Grandes Armees. The latter serves as a metaphor for part of an ejaculate from another of the print, viz., a penis shaped from collaged newsprint & calligraphic text that is a metaphor for the young revolutionaries in the May 1968 student led rebellion in France. Texts in the poem support the May 1968 action against the government. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Au Pair Girl 1, 1964

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-56273-9999711
Scope and Contents

The photograph appears to be a distorted image of the repeticious title placed on a loose fabric. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Au Pair Girl 2, 1964

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-56274-9999712
Scope and Contents

The photograph appears to be a distorted image of the repeticious title placed on a loose fabric. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Aunt Rachel's Fur, 2001

 Item
Identifier: CC-39559-41517
Scope and Contents From Publishers Weekly review. "Novelist R"šmond Namredef, the narrator of this endlessly inventive and unorthodox fiction, is on his way back to France after having lived in the United States for 10 years. R"šmond is not returning in the role of the rich American, although he claims to have a wealthy American girlfriend, Susan. In the U.S., it seems, he supported himself through a series of odd jobs, among them one as a jazz musician. These autobiographical details are imparted by R"šmond to a "professional listener" in a number of cafes in Paris. Federman has adopted Raymond Roussel's trick of telling a story for the sake of its digressions. The digressions here include R"šmond's childhood, his life in hiding from the Nazis during the occupation, his multitudinously scheming extended family and his Aunt Rachel's legendary existence. Aunt Rachel escaped from the orphanage in which R"šmond's mother, Marguerite, was also kept and proceeded to enjoy a mysterious international career....
Dates: 2001

Autobiographical Portrait, 1980

 Item
Identifier: CC-23267-23706
Scope and Contents The drawing is a self-portrait written in English and Spanish words with a graphite pencil. Wikipedia: José Antonio "Tony" Burciaga (1940 - October 7, 1996) was a Chicano artist, poet, and writer who explored issues of Chicano identity and American society. In 1960 Burciaga joined the United States Air Force. After spending a year in Iceland, where he wrote extensively as part of his job, he was sent to Zaragoza, Spain, for three years. There he discovered the work of Spanish poet, Federico Garcí­a Lorca. After completing his military service, he earned a B.A. in fine arts from the University of Texas at El Paso in 1968 and started work as an illustrator and graphic artist, first in Mineral Wells, Texas (an experience he later recorded in an "Hispanic Link" column called "Mineral Wells--A Near and Distant Memory"), and then in Washington, D.C., where he began his participation in the Chicano movement and where he met Cecilia Preciado, whom he married in 1972. After moving to...
Dates: 1980

BOAS Splitting of the Sea, 1990

 Item — Folder 34: [Barcode: 31858072459930]
Identifier: CC-24027-24477
Scope and Contents

The entire text of the Book of Exodus from the Old Testament is written in Hebrew creating a picture of the Red Sea parting and the Israelites passing through. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990