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Sound poetry

 Subject
Subject Source: Sackner Database

Found in 488 Collections and/or Records:

Ballet of the Speech Organs: On Bob Cobbing / Cobbing, Bob ; Smith, Steven Ross ; Toop D ; Cheek C ; Griffiths B ; Adler J ; Burwell P ; Hollo A ; Harwood L ; Nuttall J ; Rowan J ; Claire P ; bissett b ; Valoch J ; Ginsberg A ; Jandl E ; Nichol bp ; Dufrene F ; Kerouac J ; Beckett S ; Joyce J ; Chopin H ; Stein G ; DeVree P., 1998

 Item — Box 389: [Barcode: 31858072461530]
Identifier: CC-44993-47169
Scope and Contents Cobbing describes the first time he used words in a non-semantic way (1959). Now does no belive that there are any distinction beween music and art and poetry and dance. He indicates that he does not notate his sound poems because "every shape one sees on a page, conjures up a sound - any sound one hears conjures up a pattern, a mark on the page. Ross asks Cobbing about his sound scores [abstract markings] and how he reads these marks. He cites Norman McLaren who drew a sound track on film. McLaren stated that "a thin line will give you a high sound, a thicker line will give you a lower sound. If you make a little tiny point it'll give you a high 'ping,' if you make it a rounder blob, a biggr blob, it'll give you a 'boom'..." Cobbing indicates than when he makes marks on paper, he writes in sound. Cobbing tells about a painting he made that was exhibited in a library entitled "Integration alone is not enough" (1962/1963) in which Margaret Thatcher, then a local representative saw...
Dates: 1998

Beseechers, 2000

 Item — Box 328: [Barcode: 31858072490927]
Identifier: CC-40988-42967
Scope and Contents

This book consist of the scores five single or multiple sound/performance poems with notes on the poems in a section at the end of the book. The poems are highly graphic in nature and are intended as a guide to the performer. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Bill Jubobe: Selected Texts of Bob Cobbing 1942-1975 / Cobbing, Bob ; O'Huigen, Sean., 1976

 Item — Box 388: [Barcode: 31858072463676]
Identifier: CC-17490-17856
Scope and Contents

This is an anthology of Cobbing's works textural and abstract xerox works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

[Black Sound Box], 2000

 Item — Box 203: [Barcode: 31858072460102]
Identifier: CC-39547-41505
Scope and Contents

The sound it makes when the box is moved could be a single, round object like a playing marble. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Black & White Minstrelsy Book One / Cobbing, Bob., 1990

 Item — Box 386: [Barcode: 31858072461514]
Identifier: CC-17354-17718
Scope and Contents

All the images in this book are abstract. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

bob jubile, 1990

 Item — Box 393: [Barcode: 31858072461571]
Identifier: CC-20678-21080
Scope and Contents

Consists of selected texts by Bob Cobbing 1944-1990. Jennifer Pike, Bob's wife, also writes under the name Jennifer Cobbing. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

[Body Poetry Sonograms], 1987

 Item — Box Artist Boxed Materials/Oversized: Co-Cu: [Barcode: 31858072491354]
Identifier: CC-17477-17843
Scope and Contents

The sheets depict graphic representations of spectral analysis for various bodysounds produced by Curtay. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Body Sound Art Manifesto , 1983

 Item — Folder 66: [Barcode: 31858072538006]
Identifier: CC-19974-20362
Scope and Contents

Published in the Washington Review 1983. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983