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Sound poetry

 Subject
Subject Source: Sackner Database

Found in 1310 Collections and/or Records:

Ana 1 - 5 / Cobbing, Bob., 1972

 Item
Identifier: CC-17516-17882
Scope and Contents

This book represents a performance copy of "Spearhead" (2nd & 3rd editions held by Sackner Archive) onto which is added written and typed notes. There are five performances of "Ana." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

And Avocado / Cobbing, Bob., 1977

 Item
Identifier: CC-17501-17867
Scope and Contents

Designated minibooks number ten. The text is an alphabetical list of plants each referring to its scientific name. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

And. No.2 / John Rowan, Bob Cobbing, editors ; Cobbing B ; Rowan J., 1961

 Item
Identifier: CC-26111-26573
Scope and Contents

The Sackner Archive holds issues No.2-7 and No.9-10. Issue No.6 is listed as Bob Cobbing ed.: WF 100, 1973; it is stored in The And box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1961

Antarktika 2nd Ed / Finch, Peter., 1981

 Item
Identifier: CC-11336-11552
Scope and Contents

This is the second edition of number 3 in the Writers Forum 'Fives' series. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Antarktika / Finch, Peter., 1973

 Item
Identifier: CC-37973-39855
Scope and Contents

This is number 3 in the Writers Forum 'Fives' series. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

Antarktika / Finch, Peter., 1973

 Item
Identifier: CC-11335-11551
Scope and Contents

This is number 3 in the Writers Forum 'Fives' series. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

Approach Magazine. No.2 / Gilbert Ryle, editor ; Bann S ; Houedard DS ; Cobbing B ; Bense M ; Jandl E ; Ulrichs T ; Ruhm G ; Chopin H ; DeVree P ; Heidsieck B ; Furnival J ; Finlay IH ; Cox K ; Valoch J., 1968

 Item
Identifier: CC-24819-25272
Scope and Contents This issue includes a Glyn Pursglove's essay, "An Introduction to Concrete Poetry." He states "The phrase 'Concrete Poetry' is bandied about a great deal in a way which seems to suggest that all those to whom it is applied are part of a conscious, united movement, and that they are artists whose work is dictated by a set of common and explicit principles. As anyone with any understanding of artistic 'movements' will readily imagine, this is a superficial and misleading idea. Certainly there have been plenty of explicit statements by some of the poets involved but these have, naturally, attracted as many opponents as supporters. One of the most important of such statements was 'POSITION 1 of International (Movement) for Spatial Poetries" organised by, among others, Pierre Gamier. This was not quite a manifesto, in the sense of a document proclaiming plans for the future, but rather a formalisation of a situation. Gamier was fully conscious of the difficulties, and his closing words...
Dates: 1968

Archi-Made, 2005

 Item
Identifier: CC-54269-643158
Scope and Contents

Didier Semin provided the introductory essay. This book deals with and prints reproductions of Dufrene's written texts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005