This poem was utilized for publication in Pink Peace. Cobbing notes on the verso that this poem is a slightly adapted version of half the size of the original poem (first published in 1974 and held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Designated Writers Forum Folder number five. This is the first edition. Poems contained in Octo "Are Your Children Safely in the Sea?" "Integration Alone Is Not Enough," "Spontaeous Appealinair Contemprate Apollinaire," and "Marvo Movies Natter." Each poem is presented in two versions. -- Source of annotation: Marvin or Ruth Sackner.

The poem in this book, that was first performed at the FOOTBALL in May 1981, was based upon a paper by Alex Alexander on Foot Fetish. -- Source of annotation: Marvin or Ruth Sackner.

These rubberstamps and their prints were appropriated by gaglione from Raoul Hausmann's poster poems done in 1918. The booklet is dedicated to Hausmann. -- Source of annotation: Marvin or Ruth Sackner.

These are the original notes for an unpublished sound poem for two voices used for a few performances. curry now prefers the title, Opium Marble: The Alley. -- Source of annotation: Marvin or Ruth Sackner.

This performance manuscript apparently has never been published. -- Source of annotation: Marvin or Ruth Sackner.

Each of the four pages of this book depicts a typewriter poem that consists of the text "or/ro" and other two letter words such as "we/we." -- Source of annotation: Marvin or Ruth Sackner.

Oral Complex performed at The October Gallery in London on Mary 21st and 22nd, 1982.

This is the last book made on Cobbing's original photocopying machine. It broke down in 1996 and was replaced. The replacement was funded by the Sackners who received a few of Cobbing's concrete poetry wall works in exchange for the money. -- Source of annotation: Marvin or Ruth Sackner.

All the images on the outside covers of these greeting cards are abstract. -- Source of annotation: Marvin or Ruth Sackner.

The sound poems are read from abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

This work is a modern enactment of the passage of the Sungod of night, or Osiris, through the first gate of the Neter-Khertet (divine underworld). The poem is accompanied by line drawings of New York scenes done by Kern. -- Source of annotation: Marvin or Ruth Sackner.