Text over text
Found in 146 Collections and/or Records:
Der Wasserhahn oder Die Wiederauferstehung des Schrotts, 1989
Diario?, 1981
Diario di Cavellini , 1980
DIY - Poem, 1986
Drop Caps, 2008
A visual poem is printed on each page. -- Source of annotation: Marvin or Ruth Sackner.
Exemplaire Unique, No. 17, 1980 - 1984
Exemplaire Unique No. 20, 1980
Formation of Moire Pattern [Black] , 2014
A Moire pattern is a secondary and visually evident superimposed pattern created when two usually transparent identical patterns on a surface (such as closely spaced grids or straight lines are overlaid while displaced or rotated a small amount from one another. -- Source of annotation: Marvin or Ruth Sackner.
Formation of Moire Pattern [Red], 2014
A Moire pattern is a secondary and visually evident superimposed pattern created when two usually transparent identical patterns on a surface (such as closely spaced grids or straight lines are overlaid while displaced or rotated a small amount from one another. -- Source of annotation: Marvin or Ruth Sackner.
From Boomsday to Doosday..Attention Please, Attention If You Please Do Not Panic, 1980
The theme of the poem deals with the Cold War and is depicted on page 64 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.
Fuck ****, 1990
FUT INK OY OU, 2012
The colors of the letters of this print are red and blue. -- Source of annotation: Marvin or Ruth Sackner.
Gail Song / Cobbing, Bob., 1971
This piece is present in the recording (33rpm) also held by the Sackner Archive entitled "Experiments in Disintegrating Language: Konkrete Canticle" (1971). In the recording the title Has been changed to Ga(il)o(ng). Work was previously stored in binder as a typwriter piece. -- Source of annotation: Marvin or Ruth Sackner.
[Getty Center Artist Book presented to Ruth Sackner], 1992
This book was organized by Mel Edelstein and presented to the participants in the seminar "Reading and the Art of the Book" at the Getty Center for the History of Art and the Humanities. The Sackners were invited to this conference. Jan Baker used printed materials from the Center to form the collages on each page. -- Source of annotation: Marvin or Ruth Sackner.
(g)low - (g)loom / Cobbing, Bob., 1969
Written for Pink Peace
[Holographic collage], 1995
Ich Du, 1968
The pages are rendered with highly innovative typographic lay-out designs. One fold-out page unfolds from its two folds to form a square shaped print. -- Source of annotation: Marvin or Ruth Sackner.
In Any Language / Cobbing, Bob., 1973
Designated Card Seies No.9. -- Source of annotation: Marvin or Ruth Sackner.
Introduction/Conclusion / Cobbing, Bob., 1973
[i's], 1975
The drawing depicts solely the letter 'i' with different shadings. -- Source of annotation: Marvin or Ruth Sackner.
