The dedication of the woman's name to eugen [gomringer], one of the founders of concrete poetry, in this poem is illegible. -- Source of annotation: Marvin or Ruth Sackner.

This typing consists of a zig-zag column of the word yellow and nine words up from the botton the single word green.This is conceptually similar to silencio by Gomringer. -- Source of annotation: Marvin or Ruth Sackner.

In this issue, Cavan McCarthy essay, "trad/kin kon: The poetry magazine scene" surveys small mags world wide publishing concrete poetry. Houedard designed the cover and also signed this issue. -- Source of annotation: Marvin or Ruth Sackner.

In this issue, Cavan McCarthy essay, "trad/kin kon: The poetry magazine scene" surveys small mags world wide publishing concrete poetry. Houedard designed the cover and also signed this issue. -- Source of annotation: Marvin or Ruth Sackner.

This was Included in the Grant U. Roman Archive. According to a note at the bottom, this poem was composed "after Eugen Gomringer's 'ping pong.'" Wikipedia: Robert Pinget (Geneva, July 19, 1919 "“ Tours, August 25, 1997) was a major avant-garde French writer, born in Switzerland, who wrote several novels and other prose pieces that drew comparison to Beckett and other major Modernist writers. He was also associated with the nouveau roman movement. Francis Jean Gaston Alfred Ponge (27 March 1899 "“ 6 August 1988) was a French essayist and poet. Influenced by surrealism, he developed a form of prose poem, minutely examining everyday objects. He was the inaugural recipient of the Neustadt International Prize for Literature in 1974. P.O.T.H. 16 includes a poem by Ponge. -- Source of annotation: Marvin or Ruth Sackner.

This work refers to Gomringer's quotation of 1953 "O" as the constellations as the symbol as nothing. -- Source of annotation: Marvin or Ruth Sackner.