Typewriter poetry
Found in 62 Collections and/or Records:
Visual Voices; A Blinded by Reader's Emotion Poem; pages 128--129 / Weiss, Irving., 1994
This poem is based upon Thomas Campion (1527-1620), "When thou must home." However intended, even if only as rhetorical ingenuity, this one-sentence condemnation is sharp enough to produce the effect on the reader which the blurred printing stands for. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; A Globule of Blake Whirling Tags to the Corners; pages 124--125 / Weiss, Irving., 1994
This poem is based upon William Blake (1775-1827). From Milton, Book One, "The Sons of Ozoth within the Optic Nerve stand fiery glowing" to "Of that Pulsation & that Globule, terrible their power." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Archaic Blockverse Poem; pages 80-81 / Weiss, Irving., 1994
This poem is based upon John Fletcher (1579-1625), "Weep No More." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Black Magic Poem; pages 66-67 / Weiss, Irving., 1994
This poem is based upon Ben Jonson, from "The Sad Shepard" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Clock-Title Poem; pages 78-79 / Weiss, Irving., 1994
This poem is based upon Coleridge, "Phantom" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Couplets Snapping By in the Poetic Welkin pages 28-29 / Weiss, Irving., 1994
This poem is based upon Dryden (1631-1700) -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Elizabeth Barrett Browning Corpus Stylistic Analysis Program Reinventing "How Do I Love Thee"; pages 50-51 / Weiss, Irving., 1994
This poem is based uponElizabeth Barrett Browning (1806-1861), Sonnets From the Portuguese, 43. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Fifteenth-Century Poem Stands Boldly out against the Dimness of Its Long Neglect; pages 40-41 / Weiss, Irving., 1994
.This poem is based upon John Skelton (1406?-1529), "Prayer to the Father of Heaven." The poem consists of normal typed letters and just above it a retyping with faint letters, presumably from a deliberate use of a faded typewriter ribbon. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Foundering poem: Of the Going Down into Davy Jones Locker Were Already Lies... pages 92--93 / Weiss, Irving., 1994
This poem is based upon John Bunyan, "Of the Going Down of the Sun" Shakespeare, "Full Fantom Five" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Fourth Wall Poem; pages 70-71 / Weiss, Irving., 1994
This poem is based upon"For the nightmare." 2093 Bodleian 15353 Early 15th Century. Reprinted in Luria and Hoffman, Middle English Lyrics, as No.116, with glossary. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Horror Poem; pages 52-53 / Weiss, Irving., 1994
This poem is based upon Robert Browning (1812-1889), "Pippas's Song." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Leaf-Overleaf Poem: Having Floated Loose From Its Moorings Down to Side Margin and Turned Edge; pages 72-73 / Weiss, Irving., 1994
This poem is based upon Marvell "An Epitaph Upon" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Major Poem with Minor Poem Huddling to Heel; pages 38-39 / Weiss, Irving., 1994
This poem is based upon William Wordsworth (1770-1850), "Mutability." William Strode (1602-1645), "On Chloris Walking in the Snow." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Megaphone Index Poem pages 30-31 / Weiss, Irving., 1994
This poem is based upon Poetry anthology index excerpts "announcing" their id entification of the book's contents. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Murmurs in the Great Poetic Welkin Tracking a Poem; pages 140-141 / Weiss, Irving., 1994
This poem is based upon Keats, Sonnet: "How many bards gild the lapses of time" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Original Coursing through Translation: Aerial View; pages 88--89 / Weiss, Irving., 1994
This poem is based upon Byron, translation of Dante, Inferno V, 11. 93-142. Published in Atticus Review 4, Winter 1983. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Page Poem; pages 116--117 / Weiss, Irving., 1994
This poem is based upon Anonymous both, that part of " Now sprinkles the spray," followed by that part of " Spring Song" that appear on one anthology page together. A Page Poem is whatever verses appear on a single page even if they belong to more than one poem. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices: Poem As Mental Convergence toward Its Two Finest Lines; pages 62-63 / Weiss, Irving., 1994
This poem is based upon William Alabaster (1567-1640), "Upon the Crucifix." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem in Extremis: Trying to Escape Itself; pages 42-43 / Weiss, Irving., 1994
This poem is based upon Abraham Cowley (1618-1667), "Sport." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem in the Making and Unmaking pages 6-7 / Weiss, Irving., 1994
This poem is based upon Geirge Herbert's (1593-1633) poem, "The Quiddity." -- Source of annotation: Marvin or Ruth Sackner.