This work was printed in Interstate No.15, 1982, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The cover image, that was done by bp Nichol, was published in rawculture in sep 71. This card, reproducing that image, was sent to individuals who have helped curry with his ongoing book on bp Nichol, "CYCLOPOEDIA BEEPLIOGRAPHIA." -- Source of annotation: Marvin or Ruth Sackner.

This anthology consists of a selection of visual and concrete poems with emphasis on typewriter poetic images. -- Source of annotation: Marvin or Ruth Sackner.

With exception of the 1st page that curry has written in red ink, the remaining pages are carbon copies of the letter sent to David UU. curry wrote the Sackners that he retained a photocopy of the carbon copy for his own files. The letter deals mostly with UU's typewriter poetry book, High C. curry sketches the pages for the book after the poems by UU. He annotates and makes comments for each page. In the last 1/3 of the letter, he writes to UU on progress of projects in which both are involved. -- Source of annotation: Marvin or Ruth Sackner.

The cover has a concrete, typewriter poem and the pages consist of found text that deals with poetics of the book's title. This book has not been published. -- Source of annotation: Marvin or Ruth Sackner.

The following is abstracted from an afterword written by Marvin Sackner: I was initially uncertain whether the book was an assembling edited by curry or whether the 49 poems, one on each page and on the covers, in widely diverse styles, were produced by curry alone. Looking more closely, I recognized several poems by curry which had appeared in previous publications. curry had produced a compendium of sometimes playful, othertimes profound, visual/verbal imagery. -- Source of annotation: Marvin or Ruth Sackner.

The following is abstracted from an afterword written by Marvin Sackner: I was initially uncertain whether the book was an assembling edited by Curry or whether the 49 poems, one on each page and on the covers, in widely diverse styles, were produced by Curry alone. Looking more closely, I recognized several poems by Curry which had appeared in previous publications. Curry had produced a compendium of sometimes playful, othertimes profound, visual/verbal imagery. -- Source of annotation: Marvin or Ruth Sackner.

Includes group photograph of artists assembled for the 11th International Festival of Sound Poetry in Toronto, 1978. The record is selections of Canadian sound poetry. -- Source of annotation: Marvin or Ruth Sackner.

This was subsequently published in "can't afford no Kodak Instamatik Instamatik Vol.1." -- Source of annotation: Marvin or Ruth Sackner.

This was published in Curvd H&Z No.89, 1981. -- Source of annotation: Marvin or Ruth Sackner.

Also designated th wrecking ballzark #40. This is the only work that lefler ever performed. -- Source of annotation: Marvin or Ruth Sackner.

This is a contemporary version of Morgenstern's poem, Fishes, in which abstract signs (in curry's version, the typed parentheses) are used to depict the images. -- Source of annotation: Marvin or Ruth Sackner.

Mention is made of the loan of three original manuscripts from the Sackner Archive for publication in this book. -- Source of annotation: Marvin or Ruth Sackner.

Mention is made of the loan of three original manuscripts from the Sackner Archive for publication in this book. -- Source of annotation: Marvin or Ruth Sackner.

On the verso of each page, curry has written in red ink the periodical in which these poems have been published, e.g, Curvd H&Z 1979-1981, Pomez A Penny 1981, In Texts 1984, Industrial Sabotage 1979, Coma Goats Press 1983, and 1 cent 1983. This suite of typings is missing No.14. -- Source of annotation: Marvin or Ruth Sackner.

Edited by John M. Bennett. -- Source of annotation: Marvin or Ruth Sackner.