This work was included in pete spence's archive. -- Source of annotation: Marvin or Ruth Sackner.

With exception of the 1st page that curry has written in red ink, the remaining pages are carbon copies of the letter sent to David UU. curry wrote the Sackners that he retained a photocopy of the carbon copy for his own files. The letter deals mostly with UU's typewriter poetry book, High C. curry sketches the pages for the book after the poems by UU. He annotates and makes comments for each page. In the last 1/3 of the letter, he writes to UU on progress of projects in which both are involved. -- Source of annotation: Marvin or Ruth Sackner.

The folder contains the sequence of revisions for composing the poem. The poem deals with David Daniels perception of four children who are represented by silhouette shapes of their bodies. Their photographs are depicted on a page of this archive. -- Source of annotation: Marvin or Ruth Sackner.

The folder contains the sequence of revisions for composing the poem. The poem deals with NYC and consists of short rhyming lines in the shape of a cylinder being turned on a lathe with a lathe cutting tool. -- Source of annotation: Marvin or Ruth Sackner.

The folder contains the sequence of revisions for composing the poem. -- Source of annotation: Marvin or Ruth Sackner.

This is the presentation folder of examples from the Archive made to the Sackners by Clive Adams, the art dealer, on behalf of Donato Cinicolo III. -- Source of annotation: Marvin or Ruth Sackner.

Above the name dom pierre sylvester houedard on the mailing address of the envelope, Cinicolo typed a square of typed "d's." -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo enquires about the work of Joseph Beuys. He notes that he visited John Furnival and his family and also writes of his interest in Houedard's "reversible poems." Cinicolo writes "i have been very silent these past 2 years but that is past & i have renewed enthusiasm/energy so i wouldnt like to lose contact with you" -- Source of annotation: Marvin or Ruth Sackner.

The arrangement of the typewriting, viz., upside down phrases interspaced between right-side-up text, provides an abstract visual image. -- Source of annotation: Marvin or Ruth Sackner.

There is no spacing between the words in this letter.Cinicolo writes of his speaking with Peter Schmidt and Hansjorg Mayer about his work. He also tells Houedard that "the numeral3attheendofmysurnameis becauseiamthethirdinaseriesofdonatos." -- Source of annotation: Marvin or Ruth Sackner.

There is no spacing between the words of this letter that deals with an inquiry about a silver ribbon for typing. -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Cinicolo for his visit and states that he told Peter Max that Cinicolo might visit although Houedard admits that he never actually met him "like ive met you now." -- Source of annotation: Marvin or Ruth Sackner.

Houedard addresses Donato as Danilo, typing the name as an optical image concrete poem. His own signature is also typed as an optical image. He thanks Cinicolo for sending him his project book and indicates that he should tell Hansjorg Mayer that he will send him Dana Atchley's Notebook. -- Source of annotation: Marvin or Ruth Sackner.

Houedard addresses Donato as Danilo, typing the name as an optical image concrete poem. His own signature is also typed as an optical image. He thanks Cinicolo for sending him his project book and indicates that he should tell Hansjorg Mayer that he will send him Dana Atchley's Notebook. -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Donatello [cinicolo 3) for the greenbook and writes that he is" trying to catch up on letters & writing bookreviews &tc & typing out things for the anthology of soundpoetry i am supposed to have finished last year." -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Donatello for the greenbook and writes that he is" trying to catch up on letters & writing bookreviews &tc & typing out things for the anthology of soundpoetry i am supposed to have finished last year." -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes of his with unexpected visit to London and invites Cinicolo to join him there and return together to Prinknash Abbey. -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes of his with unexpected visit to London and invites Cinicolo to join him there and return together to Prinknash Abbey. -- Source of annotation: Marvin or Ruth Sackner.

Addresses Donato as my dear do don't NATO donato3 donatello donatissimo donatellone. Thanks him for his "squareletter" which pleased the postman (envelope 05-08-1970). Indicates that he is still waiting for a silver ribbon. Complains about Hansjorg Mayer and friends hogging an art show for first year graphic students. The text of the letter is typed in a pattern of wavy rather than the usual straight lines. -- Source of annotation: Marvin or Ruth Sackner.