Segay appropriated Chopin's typewriter poems and overlaid them with his own markings. Pages from this book are reproduced in the exhibiton catalogue held by the Sackner Archive, "Die Verwandlung" (2013). -- Source of annotation: Marvin or Ruth Sackner.

This collection of essays was published to honor Henri Chopin at the 18th Marche de la Poesie, Place Sainat-Sulpice, Paris, June 2000. The book also reproduces two typewriter poems by Chopin. -- Source of annotation: Marvin or Ruth Sackner.

The cover of the card depicts Emmett Williams' poem "SolDIEer." -- Source of annotation: Marvin or Ruth Sackner.

Wikipedia: Poi refers to both a style of performing art and the equipment used for engaging in poi performance. Poi originated from the Māori people of New Zealand as a performance art that involves swinging tethered weights through a variety of rhythmical and geometric patterns. Poi artists may also sing or dance while swinging their poi. Poi can be made from various materials with different handles, weights, and effects (such as fire). Poi originated with the Māori people of New Zealand, where it is still practiced today. Poi has also gained a following in many other countries. The expansion of poi culture has led to a significant evolution of the styles practiced, the tools used, and the definition of the word "poi." Poi is not a French word. -- Source of annotation: Marvin or Ruth Sackner.

This work was commissioned for "The Beauty In Breathing" exhibition. The typed phrases repetitively utilized by Chopin in linear and Moire arrangements, reading from top to bottom include No Smoking, Breath Of Life, Poisonous Danger, Poison, and Yes. The impossibility of constructing a building with sound engineering principles designed in this image may reflect Chopin's frustrations with the smoking public. -- Source of annotation: Marvin or Ruth Sackner.

An ampersand is depicted in the middle of each of 40 stamps that are surrounded by repetitive typed characters. The name H. Chopin in miniscule letters is printed at the right lower corner of each stamp. -- Source of annotation: Marvin or Ruth Sackner.

The central panel with an identical inscription to other prints of the series is red. -- Source of annotation: Marvin or Ruth Sackner.

The central panel with an identical inscription to other prints of the series is black. -- Source of annotation: Marvin or Ruth Sackner.

The central panel with an identical inscription to other prints of the series is aqua. -- Source of annotation: Marvin or Ruth Sackner.

The central panel with an identical inscription to other prints of the series is gray. -- Source of annotation: Marvin or Ruth Sackner.

The central panel with an identical inscription to other prints of the series is brown. -- Source of annotation: Marvin or Ruth Sackner.

The central panel with an identical inscription to other prints of the series is black. -- Source of annotation: Marvin or Ruth Sackner.

The central panel with an identical inscription to other prints of the series is tan. -- Source of annotation: Marvin or Ruth Sackner.

The central panel with an identical inscription to other prints of the series is brown. -- Source of annotation: Marvin or Ruth Sackner.