Typewriter poetry
Subject Source: Sackner Database
Found in 224 Collections and/or Records:
Kris Kringles Kesmes Korals, 1970
These poems appear in the book of the same title published by Writers Forum & Vertigo Publications in 1970. -- Source of annotation: Marvin or Ruth Sackner.
Landscape for Marvin and Ruth, 1981
last full word (210964), 1964
The full title is "last full word in small type on each of 1st 10 pp of webster.' -- Source of annotation: Marvin or Ruth Sackner.
le ciel (021165), 1965
Les Cercles de Fees, 1984
The number 84 was typed repetitively to achieve the desired visual effect. -- Source of annotation: Marvin or Ruth Sackner.
Letter to David Harris (dwh), re: poem exchange: [i hope my sens of humor...] , 1967
This letter deals with poems that levy has submitted for publication. He also requests that Harris contact bp Nichol for acceptance of these poems. -- Source of annotation: Marvin or Ruth Sackner.
machine collect (040964), 1963
This poem is dedicated tor peter levi. -- Source of annotation: Marvin or Ruth Sackner.
Mahayana: Art / Burgess, Molly., 1975
Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
Mahayana: Center / Burgess, Molly., 1975
Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
Mahayana: dream / unreal / Burgess, Molly., 1975
Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
Mahayana: illusion / cause effect / Burgess, Molly., 1975
Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
Mahayana: realization / Burgess, Molly., 1975
Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
Mahayana: Rebirth / Release / Burgess, Molly., 1975
'Still 1' typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
Mahayana: self / no self / Burgess, Molly., 1975
Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
Mahayana: Womb / Tomb / Burgess, Molly., 1975
Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
mantra for albertbirot / mantra for raoulhausmann (111264), 1964
Marvo Movies Matter / Cobbing, Bob., 1968
The duplicate is signed but not dated. -- Source of annotation: Marvin or Ruth Sackner.
mdc grabinoulor (270365), 1965
Charles Cameron writes about this collection of '1 foolscap letter addressed "mdc" (my dear charles) concerning Pierre Albert-Birot's celebrated book Grabinoulor,together with4 foolscap pp of dsh's translation, book 3 chapter 8, with ca 20 - 30 corrections in dsh's hand on each page" The covering letter is stored with the manuacript in the manuscript binder. -- Source of annotation: Marvin or Ruth Sackner.
