Typography
Found in 87 Collections and/or Records:
Sculptures by Alice Hutchins , 1972
Designated as appearing in the periodical, Ou 40/41. -- Source of annotation: Marvin or Ruth Sackner.
Silex (proof pages), 1967
Slow Progress
Sloynic, 1999
[Stapled booklet], 1988
Strategy for Wracking Hylic, 1989
The Collected Ephemera of the Adagio Press, 1972
Each pamphlet consists of a folded sheet of fine paper thereby amounting to four pages. The subjects include ornaments, alphabets of type specimens and quotes from writers. -- Source of annotation: Marvin or Ruth Sackner.
[The Getty Center Fellowship] , 1992
This poster has a more experimental design than usually distributed by the Getty. -- Source of annotation: Marvin or Ruth Sackner.
The History of Dada, 1982
[The Individual Artist's Arrogation..., on purple], 1980
The background color of this print is purple; the text is the same on all the prints with tis title. -- Source of annotation: Marvin or Ruth Sackner.
The Little Fruitgum Memory Book, 1978
The Red Coat, 1990
The Shell of Evening, 1974
The Story of My Life, 1987
Theo 1919 / Caruso, Barbara., 1981
The letters of this drawing are based on an alphabet by Theo Van Doesburg. The letters were formed by extensive cross-hatching with a very fine rapidiograph pen. -- Source of annotation: Marvin or Ruth Sackner.
Too Much Sex..., 1980
Typographia 1 , 1976
This book is a collection of typographical exercises interspersed with notes on printing, typography and the private press. -- Source of annotation: Marvin or Ruth Sackner.
Typographia 2 , 1979
The book deals with definitions of the private press and includes 24 quotes from printers and critics in chronologic order by year beginning with 1897 and ending with 1979. The typographic styles for these quotes are varied in the tradition of fine press work. -- Source of annotation: Marvin or Ruth Sackner.
Ursachen Rauschen, 1990
Karl Riha wrote the introduction. -- Source of annotation: Marvin or Ruth Sackner.
Verbi-Voco-Visual Explorations, 1967
Flexitype heads [allowing the manipulation and distortion of type] were used in this book in co-operation with Cooper and Beatty. To the knowledge of the Editors of this book, it was the first time that Flexitype has been used in any quantity outside the field of advertising. -- Source of annotation: Marvin or Ruth Sackner.
