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Typography

 Subject
Subject Source: Sackner Database

Found in 95 Collections and/or Records:

Porte - Voix, 1979

 Item — Box 609: [Barcode: 31858073143566]
Identifier: CC-28504-29783
Scope and Contents

An unusal typeface ws used in this poster. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Printing Poetry: A Workbook in Typographic Reification , 1980

 Item
Identifier: CC-21033-21442
Scope and Contents

Book describes the craft of letterpress printing. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Printing Poetry: A Workbook in Typographic Reification , 1980

 Item
Identifier: CC-23163-23601
Scope and Contents

This book was sent to master printer Walter Hamady to review for "The American Book Collector" by Daniel Traister, book review editor. Hamady's response to Traister, his refusal to critique the book, and his reaction to the text is described in the correspondence. Furthermore, Hamady mutilated several pages by violently stabbing them with a ball point pen, reversed the dust jacket, wrote scathing opinions in the margins of the text, and returned the volume to Traister. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

[Proof Pages], 1984

 Item — Box Artist Boxed Materials/Oversized: Ca-Cl: [Barcode: 31858072491289]
Identifier: CC-16744-17099

Retell the Tale, 1997

 Item
Identifier: CC-27844-28977
Scope and Contents

Laxson writes that the "title is inspired by D.H. Lawrence who said - Don't trust the artist. Trust the tale." And the tale is written by Laxson in brilliant twists, turns, shapes of typography and drawings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Rue de la Chaumiere / The Cradle of Montparnasse, 2003

 Item
Identifier: CC-42100-44101
Scope and Contents

This is the second edition of a book with the same title printed letterpress in 1988. Crombie describes the history of the neighborhood and the artists and writers who lived there. He provides the history of printing by the Kickshaws Press whose shop was initially housed in Montparnasse. The Press was closed in 1994 but Crombie still retains a small shop in another location in Paris. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003

Sculptures by Alice Hutchins , 1972

 Item — Folder 64: [Barcode: 31858072537982]
Identifier: CC-18767-19141
Scope and Contents

Designated as appearing in the periodical, Ou 40/41. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

The Collected Ephemera of the Adagio Press, 1972

 Item — Box 319: [Barcode: 31858072490786]
Identifier: CC-21581-21992
Scope and Contents

Each pamphlet consists of a folded sheet of fine paper thereby amounting to four pages. The subjects include ornaments, alphabets of type specimens and quotes from writers. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

[The Getty Center] , 1992

 Item — Box 321: [Barcode: 31858072490877]
Identifier: CC-24006-24456
Scope and Contents

Baker's calligraphic rendering of the Getty Center's goals covers one side of this experimental, typographically designed brochure and bleeds through to the other side which has printed text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

[The Getty Center Fellowship] , 1992

 Item — Box 321: [Barcode: 31858072490877]
Identifier: CC-23999-24449
Scope and Contents

This poster has a more experimental design than usually distributed by the Getty. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

[The Individual Artist's Arrogation..., on purple], 1980

 Item — Folder 33: [Barcode: 31858072459922]
Identifier: CC-19933-20321
Scope and Contents

The background color of this print is purple; the text is the same on all the prints with tis title. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980