The paper strip on the cover notes that the annual art event was postponed until 2002 because of the events of September 11, 2001. -- Source of annotation: Marvin or Ruth Sackner.

Every art work in this catalog depicts a hat. "The Shaman's Wedding Hat" by Dick Higgins, illustrated, is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a sumptuously illustrated catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. The Sackners purchased Wallace Berman's "Composition" (c.1960) at this auction. George Segal's multiple, "Girl on a Chair" (1970), a work held by the Sackners, was offered at this auction. -- Source of annotation: Marvin or Ruth Sackner.

Documents Arman's destruction of furniture in order to produce art. -- Source of annotation: Marvin or Ruth Sackner.

The texts on each right facing page are by Maurice Roche and are printed wthin an outline drawing of an upside-down violin. The varying lithographs and original engravings of violins are by Arman and are printed on the left facing pages. This is the second edition, the first consisted 93 copies of signed lithographs and gravures by Arman. -- Source of annotation: Marvin or Ruth Sackner.

According to his widow, Stubbing composed concrete poems in the late forties and early fifties both in English and Spanish. However, he is best known for his palm print abstract paintings. He might have became influenced in concrete poetry by Mathias Goeritz with whom he knew in the School of Altamura, Spain in 1949-1950. However, Goeritz's concrete poetry was published over a decade later from the Spanish experience. An original concrete poetic collage and typing "Poema Vociferado" c.1949 is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is the catalogue for the inaugural exhibition of the museum. -- Source of annotation: Marvin or Ruth Sackner.

The unbound pages list prices for the prints. -- Source of annotation: Marvin or Ruth Sackner.