Scope and Contents

The images consist of portraits of the face with widely different styles. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Berry illustrated his epic poem with line drawings, photographs and abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This consists of all three books of this epic poem. It is inspired and sourced in fields as diverse as the Old Testament, quantum physics, hermetics, Marcel Duchamp, The Tibetian Book of the Dead, Haitian Voodoo, and the music of Bartok and John Coltrane. Its message is both dark and luminous and is a visionary work summoning "liberation in all its forms."ue Walker Internet: Brambu Drezi: Words that define liberation, that are beyond boundaries, that testify to the genius of Jake Berry. Brambu Drezi: a Wittgensteinian rendering of: "We feel that even if all possible scientific questions be answered, the problems of life have still not been touched at all. But of course there is then no question left and just this is the answer." Brambu Drezi is an answer. It is without definition; it is a master poem, three books in one, a [dis]connected process, experiential musicology, a study in sound, line, and beat and flow and genesis of what has been and is, collated into an Eliotic time...

Scope and Contents This consists of all three books of this epic poem. It is inspired and sourced in fields as diverse as the Old Testament, quantum physics, hermetics, Marcel Duchamp, The Tibetian Book of the Dead, Haitian Voodoo, and the music of Bartok and John Coltrane. Its message is both dark and luminous and is a visionary work summoning "liberation in all its forms."Sue Walker Internet: Brambu Drezi: Words that define liberation, that are beyond boundaries, that testify to the genius of Jake Berry. Brambu Drezi: a Wittgensteinian rendering of: "We feel that even if all possible scientific questions be answered, the problems of life have still not been touched at all. But of course there is then no question left and just this is the answer." Brambu Drezi is an answer. It is without definition; it is a master poem, three books in one, a [dis]connected process, experiential musicology, a study in sound, line, and beat and flow and genesis of what has been and is, collated into an Eliotic time...

Scope and Contents

According to Kettner, "This is the first (and only) edition, limited to less than 100 copies. Cover a color xerox of a Chris Winkler painting tipped onto very heavy, gold card stock. Text illustrated throughout with Miskowski's "applananoids;" that is, animated figures with an appliance/electrical theme. Print on covers rubber-stamped. Tissue endpapers. A primo xerox publication." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

According to Kettner, "First (and only) edition. Average press run for Bomb Shelter: 300-500 copies. Light gray cover with matching text of heavy vellum offset stock. Mixture of art, visual poetry and prose poetry. An orgy of collage-like visions, whipped to a froth and served to the raging, cosmic furnace." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Stored with Jack Berry publications. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Stored with Jack Berry publications. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Jake Berry desscribes this book as prose poems. The colored cover drawing of a scratched face is by Rich Curtis. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The poem is accompanied by letter pictures, fragmented test or illustrations by Hill placed on the outside margins of the pages. In this version, Jake Berry has added more illustrations to the margin. This revision was first published in 1987 and digitized by Miekal And in 2007. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Berry's coded (?) language in some of the drawings in this book is reminiscent to the drawings of Guy De Cointet. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The line drawings, one each to the page of poems has surrealistic imagery. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

According to Kettner, "First (and only) edition. Average press run for Bomb Shelter: 300-500 copies. From brief author's introduction 'In these writings and collages some "other," the "rawspirit," does the speaking. For that reason any attempt to understand this in a linear or logical context will be difficult or impossible. I see pandemonium as a break from the strictures of codified behavior into a liberated existence.'" -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The drawing is composed with white ink on black paper. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The drawing is composed with white ink on black paper. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Six contributors in addition to Jake Berry contributed portraits in three unrelated sections blended on each facing page. -- Source of annotation: Marvin or Ruth Sackner.