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This collage is titled "Welcome Back to A TV Dante." There is a collaged parking ticket on the left side of the page from Dante Rd that Phillips writes he had sought for years . Astrid or John Furnival provided him with the photographs of L'Inferno restaurant on the bottom left and Leo Phillips took the photograph of the Thames & Hudson Dante in the window of Zwemmer's book store. -- Source of annotation: Marvin or Ruth Sackner.

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A Michaelangelo-like nude male figure reaches out his arm and points his finger at seven luxury British cars. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

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In this sketch, a Michaelangelo-like male nude figure reaches his arm out to a mini-car. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

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Note that "Tonto or" No.7 pamphlet that was included in this collection is stored in a portfolio box with other issues of "Tonto or." This collection also includes two Standing Poems by Ian Hamilton Finlay and Opening Numbers 2 & 4 edited by John Furnival. -- Source of annotation: Marvin or Ruth Sackner.

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The print is a reproduction of a black and white photograph of Astrid, John's wife. -- Source of annotation: Marvin or Ruth Sackner.

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Image is a contemporaneous photograph of Astrid Furnival in 1958 with a reproduced typewriter poem by Houedard in its right upper corner, Halley [Halley's Comet]. -- Source of annotation: Marvin or Ruth Sackner.

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The recto depicts a seated baby and a partially finished landscape. The verso is a sketch of two reclining babies. Stored In Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

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Figurative sketch of scenes from the 16th or 17th century after a fresco or sculpture within a building. -- Source of annotation: Marvin or Ruth Sackner.

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Figurative sketch of scenes with captions from 16th or 17th century after a fresco or sculpture within a building. -- Source of annotation: Marvin or Ruth Sackner.

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Figurative sketch of scenes from the 16th or 17th century after a fresco or sculpture within a building. -- Source of annotation: Marvin or Ruth Sackner.

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Figurative sketch of scenes from the 16th or 17th century after a fresco or sculpture within a building. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This drawing depicts a gargoyle from Beverley Minster, a parish church in the Church of England that is said to be the largest parish church in the UK. Wikipedia: Originally a collegiate church, it was not selected as a bishop's seat during the Dissolution of the Monasteries; nevertheless it survived as a parish church, and the chapter house was the only major part of the building to be lost. It is part of the Greater Churches Group and a Grade 1 Listed building. The Minster owes its origin and much of its subsequent importance to Saint John of Beverley, who founded a monastery locally around 700 AD and whose bones still lie beneath a plaque in the nave. The institution grew after his death and underwent several rebuildings. After a serious fire in 1188, the subsequent reconstruction was overambitious; the newly heightened central tower collapsed c. 1213 bringing down much of the surrounding church. Work on the present structure began around 1220. It took 200 years to complete...

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The Sackner Archive holds a Clock that was made by Kenelm Cox on behalf of Dom Sylvester Houedard. Also in the Archive is the sculpture Suncycle that was planned with Nicholas Logsdale at the Lisson Gallery, cast in brass and sold as a multiple without a motor. The author title for this book is "Ken Cox." -- Source of annotation: Marvin or Ruth Sackner.

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This black and white portrait depicts Tomlinson holding the skull of an animal. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

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This is a landscape scene that is stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

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The vertical clock mechanism is depicted with the glass cover off, the key and pendulum on the side. The head and hand drawings on the verso (horizontal) are both rendered with strong hash marks. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

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The two men in this portrait cannot be identified. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

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Furnival describes the birth of his son to Henri Chopin and asks to use Chopin as a reference during his job search. The picture is of Harry as a newborn. There is a small concrete vowel poem at the bottom of drawing. -- Source of annotation: Marvin or Ruth Sackner.