This portfolio consist of images of used, crumpled condoms together with abstract images. Each of the prints is titled in letterpress (?) on the verso. -- Source of annotation: Marvin or Ruth Sackner.

The recto is a clipping cut from a publication of the Metropolitan Museum of Art, the verso has a drawing of a beattle and an Egyptian eye by levy. The verso is hand labeled "postcard." -- Source of annotation: Marvin or Ruth Sackner.

This issue lists reprints from the Kirpan Press. -- Source of annotation: Marvin or Ruth Sackner.

The deaths of Carolyn Kryss, Alan Horvath, Len Fulton and Hugh Fox are mentioned. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by TL Kryss and the print within the book by m. schaefer. -- Source of annotation: Marvin or Ruth Sackner.

This issue was addressed to Marcus Grapes who was also a contributor. d.a. levy contributed a surealistic story. -- Source of annotation: Marvin or Ruth Sackner.

This issue carries the header, "The Buddhist 3rd Class Junkmail Oracle" and is the successor to "Swamp Erie Pipe Dream." It is stated that this first issue is dedicated to r.j.s. (poet, publisher and martyr) and to paul robinson (folksinger). The cover collage was made from the prints of the Japanese artist Shiko Munakata. -- Source of annotation: Marvin or Ruth Sackner.

Includes interview of Lou Reed, the leader of the musical group, Velvet Underground. -- Source of annotation: Marvin or Ruth Sackner.

The cover is a silkscreen print in green ink that depicts a rabbit within a landscape. There are slight differeces in the signatures between the two copies; hence the signatures are not facsimiles. -- Source of annotation: Marvin or Ruth Sackner.

The cover of this reprinted book, first published in 1963, was designed by dave pishnery. This book also includes reproductions of four covers designed by levy for The Free Lance and Cleveland Poems. -- Source of annotation: Marvin or Ruth Sackner.

d.a. levy contributed six abstract drawings and Judson Crews wrote the poems in this publication. -- Source of annotation: Marvin or Ruth Sackner.

Published by d.a. levy whose unattributed manifesto appears in this book. A graphite realistic drawing of a woman by Baldwin Ford is affixed to cover. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this issue is mainly scatologic. -- Source of annotation: Marvin or Ruth Sackner.

Offers the limited edition copy of William T. Vollman's "Convict Bird," the author's rarest item, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Image is an oil paint semi-realistic sketch of an individual held on a crucifix. The major colors are browns on a white primed background. Geoffrey Cook who owned the painting wrote to the Sackners that "although d.a. was most secular, he was deeply aware of his Jewishness: 'I am a levy of the levites,' and did not wish to have these paintings seen totally in a Christian historical context. I believe, though, levy was drawn to the suffering represented in our own culture by the icon of the cruxifixion because of the suffering he actually felt in his own life. I don't think that the markings below to the right have a significance, I believe they can be explained by the action painting technique." -- Source of annotation: Marvin or Ruth Sackner.

The cover drawing (gouache, watercolor) was made by maRa. The two issues have distinctly different images. Printed by d.a. levy who ran this press. -- Source of annotation: Marvin or Ruth Sackner.

A reproduction of an abstract d.a.levy painting (c.1964) owned by Russell Atkins is depicted. -- Source of annotation: Marvin or Ruth Sackner.