This print is not listed in Dieter Roth Graphic Works: Catalogue Raisonne 1947- 1998. -- Source of annotation: Marvin or Ruth Sackner.

Ingrid Schauffner contributed an inciteful essay entitled, "A Chocolate Art History." In it, she pointed out that members of the Fluxist movement were among the first to use chocolate in their art works. -- Source of annotation: Marvin or Ruth Sackner.

This exhbition in 1967 was the first manifestation of the international postwar Avantgarde Art in Germany. -- Source of annotation: Marvin or Ruth Sackner.

This is a favorable review of Dieter Roth's retrospective exhibition at The Museum of Modern Art Queens in March 2004. -- Source of annotation: Marvin or Ruth Sackner.

The letter is an invitation from Ingleby gallery for an exhibition andn reception for Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

The three covers have different collaged images taken from Tom Phillip's Words and Texts. -- Source of annotation: Marvin or Ruth Sackner.

This book was edited by Dirk Dobke who contributed a introductory essay. It contains reproductions of the 524 prints made by Dieter Roth between 1947 and 1998 when he died. The works display his "inventive manuipulation of the various stages in the print making process, achieving remarkable editions in which not one print is identical." The print of this deluxe edition is "A Bunch of Flowers 3" which is also depicted on page 319. An exposition of the various printmaking techniques employed by Roth is described in the introduction. -- Source of annotation: Marvin or Ruth Sackner.

The book was produced at Watford School of Art between May 1968 and May 1969. It was designed in the tradition of Hansjorg Mayer for his Dieter Roth publications. Dieter Roth is not mentioned in this work but he was a teacher at Watford during this period and probably influenced the production of this work. -- Source of annotation: Marvin or Ruth Sackner.

Skuber's drawing "Nachtschatten," which is depicted in this catalog, was subsequently acquired by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This was one of three catalogues published during an exhibition entitled, Modifications: Baj, Jorn, Spoerri. The pictures that are reproduced in this catalogue are realistic paintings that have been altered by Spoerri through collaged additions. -- Source of annotation: Marvin or Ruth Sackner.

Several listings in this catalog reference the Sackner Archive catalog of 1986. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalog. Mentions that item 4567, Schoffer & Albert-Birot: Aux trente-deux vents, is Sackner-Archive 42. -- Source of annotation: Marvin or Ruth Sackner.

The loose sheet contains an essay by Jasia Reichardt describing the history of artists books. The introduction to this catalogue provides a sampling of pages from books published by students at Watford School of Art from 1966-1974. This is followed by a larger section of pages, mostly visual art from students at the school in 1974. -- Source of annotation: Marvin or Ruth Sackner.

All the images in this book were based upon a postcard from the collection of Rita Donagh (Richard Hamilton's wife). A postcard that it similar but with slight differences was used by Tom Phillips in hia book "The Postcard Century" to open the 1974 section. -- Source of annotation: Marvin or Ruth Sackner.