Visual art
Found in 5488 Collections and/or Records:
A Kiss Is But a Kiss / Evans, Steven., 1986
A "La Maison Rose" / Furnival, John; Penard, Remy; Chopin, Henri., 1993
A L'Entorn De Neon de Suro 1975 - 1982 / Jaume Reus Morrro, curator ; Rafael Tous, curator ; Cabot B ; Gibert S ; Terrades S., 1999
This is an exhibition catalogue commemorating the periodical Neon de suro, in conjunction with an exhibition of the Rafael Tous collection, held in the Fundacio Pilar i Joan Miro a Mallorca. It is stored in the same box as the periodicals. -- Source of annotation: Marvin or Ruth Sackner.
A Life in Flux - and Vice Versa / Williams, Emmett., 2007
This is a memorial exhibition who was born on April 4 1925 and died on February 14 2007. -- Source of annotation: Marvin or Ruth Sackner.
A Little Box of Workings / spence, pete., 1998
The original cardboard box holding these cards was water damaged in the mail. The label was cut from its cover and placed into the envelope substituted for the box. -- Source of annotation: Marvin or Ruth Sackner.
A Match Made in Heaven / Moss, David., 2015
Moss writes "This work is a kind of physical, poetic and ritual embodiment of this notion of the love affair between God and the Jewish people. I began my career with the ambitious project of reviving the ancient art of the illuminated Ketubah...I knew I had to revive this magnificent art form." David Moss selected a poem by the 16th and 17th century poet Rabbi Israel Najara based on the Song of Songs.Texts in the inner border are based on the Shabbat, the micrographic stems and leaves deal with Zion and the outside border uses the wedding theme. -- Source of annotation: Marvin or Ruth Sackner.
A Memorial Exhibition / Buczak, Brian ; Hendricks G., 1989
A Night of Television / Sonnenfeld, Mark ; Urban, Sigismund., 2008
A Partial Merger / Sackner, Sara., 1979
Found pages of text are interwoven on a visual background and stitched around the borders. -- Source of annotation: Marvin or Ruth Sackner.
A Permutational Unfolding / Laramee, Eve Andree., 1999
In her catalogue essay, Jennifer L. Riddell writes that "Eve Andree Laramee has dedicated her artistic career to disputing commonly held assumptions about art and science and how these views are transmitted over time, zeroing in on ambiguities, issues of authority and credibility, and unseating polarizations and tidy encapsulations of art=a, science=b." The installation consists of an apparently French rococo, late 18th century period room with specially woven tapestries and loom using Jacquard's techniques with Laramee designed images, a harp, furniture, an early computer, wall panels. The objects and images used and transformed by the artist reflect her interest in connecting art, science, poetry, culture, mechanics into a dense work of chains of meaning. -- Source of annotation: Marvin or Ruth Sackner.