Dante's Tent & Sylvia's Globe is the title of this collage.Two fragments from "A Humument are included on this page. One reads "fortunate tom Middle Ages, and all my magi," and a second fragment reads "elves crowd the castles." A map of Brighton is on the top right side showing where Phillips parked his car on Grenville Street.The bottom right is a note thanking Phillips for his talk at the Art Libraries Society and a copy the ARLIS logo. -- Source of annotation: Marvin or Ruth Sackner.

Phillips analyzes two paintings of Johannes Vermeer as part of his series on music in art through the ages. -- Source of annotation: Marvin or Ruth Sackner.

Published on the occasion of an exhibition with the same title held at the Royal Academy of Arts in London. Phillips, the curator of this exhibition, contributed an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

This is an audio overview of the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This issue is dedicated to the exhibition and its catalogue, "Africa: The Art of a Continent" that was curated by Tom Phillips and shown at the Royal Academy of Arts in London with subsequent venues in Berlin and the Guggenheim Museum in NYC. The Sackners attended both the Royal Academy and Guggenheim shows. -- Source of annotation: Marvin or Ruth Sackner.

These prints depict pastoral scenes and are alo held by the Australian National Gallery. They are stored in a portfolio box among the Phillips material along along with three other prints (artist proofs) out of series made in 1972 -- Source of annotation: Marvin or Ruth Sackner.

The landscape picture, painted in a "pointilistic" style of Seurat, is best appreciated when the viewer squints. Phillips also did a print portfolio with the same title that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is the same image as the drawing held by the Sackner Archive entitled "After Bamforth (The Happy Land)" but the color registrations are slightly different. -- Source of annotation: Marvin or Ruth Sackner.

The image after a painting by Raphael was created according to the proportions of the Golden Section (square root of 2). The lines making up these divisions are visible as faint black lines that have been enhanced by silkscreening a layer of clear varnish on this 31 color silkscreen print. -- Source of annotation: Marvin or Ruth Sackner.

Includes an article on an exhibition, "Seeing Jazz," which includes a reproduction of Tom Phillips' drawing, "Jazz on a Summer Day" (1977). -- Source of annotation: Marvin or Ruth Sackner.

The cover self-portrait is also depicted in a print published by the Welsh Council and held by the Sackner Archive. The content of this exhibition deals with masks and found objects on walks near Phillips' studio. -- Source of annotation: Marvin or Ruth Sackner.

In his introductory essay, Robert Hall writes, "Tom Phillips' first one-man show with Angela Flowers was an instant hit that has led to an astonishing, abundant variety of erudite and imaginative creation, not only of figurative paintings and treated books, but (among others) tapestries, calligraphy and manuscripts, of which 'Palimpsest' (1987), worked over in 2004) is an intriguing and beautiful example." -- Source of annotation: Marvin or Ruth Sackner.

Three of the cards were designed by Tom Phillips with two of them based upon " A Humument" imagery. -- Source of annotation: Marvin or Ruth Sackner.