The book consists mainly of reproductions of photographs of the Rixdorfer group working on their press. Several prints are also reproduced. The covers depict reproductions of eight prints laid out on folded papercard. -- Source of annotation: Marvin or Ruth Sackner.

Includes reproductions of all of Kent's prints, 1952-1967. -- Source of annotation: Marvin or Ruth Sackner.

The pages depict photographs of a locomotive pulling passenger railroad cars. -- Source of annotation: Marvin or Ruth Sackner.

This print was constructed according to rules of the golden section but most of the lines have been erased even though this version is designated as the final proof. The print was not editioned but a musical piece with the same title was cokmposed in 1991. This was recorded on a compact disc in 1997, a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This print was constructed according to rules of the golden section with these lines retained in gold ink. The print was not editioned but a musical piece with the same title was composed in 1991 and recorded on a compact disc in 1997. The disc is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The poem is accompanied by letter pictures, fragmented test or illustrations by Hill placed on the outside margins of the pages. The bookbinding was done by Miekel And & Liz Was. -- Source of annotation: Marvin or Ruth Sackner.

The poem is accompanied by letter pictures, fragmented test or illustrations by Hill placed on the outside margins of the pages. In this version, Jake Berry has added more illustrations to the margin. This revision was first published in 1987 and digitized by Miekal And in 2007. -- Source of annotation: Marvin or Ruth Sackner.

This is a feminist book. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts a column of printer's visual ornaments with skulls in the center row. -- Source of annotation: Marvin or Ruth Sackner.

This is part of volume II in this series. Cole describes the printing costs for volumes III through VI and states "I appreciate your archiving these for me..." -- Source of annotation: Marvin or Ruth Sackner.

No.3 in series. -- Source of annotation: Marvin or Ruth Sackner.

All the cards depicted in this book are held by the Sackner Archive. Futher, about five times more cards by Finlay are held by the Sacknsr Archive. -- Source of annotation: Marvin or Ruth Sackner.