Visual art
Subject Source: Sackner Database
Found in 588 Collections and/or Records:
Virgil in his Study [from Dante's Inferno], 1979 - 1980
This is an imagined portrait of Virgil for Phillips' translation of Dante's Inferno. He is poised over the sixth book of the Aeneid, the principal source for Dante's Comedy. A detailed analysis of this work written by Phillips is printed on page 236 of Works and Texts (1992). -- Source of annotation: Marvin or Ruth Sackner.
Virgins & Vampires, 1975
The line drawing is located near the title page. -- Source of annotation: Marvin or Ruth Sackner.
Vita Communi, 1952
In the image it appears like people are sharing bread. According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Voor'werk, 1990
The inside of the box for this exhibition has four compartments, one for representation of each of the participating artists. Kay Rosen's are concrete poetic-like prints on stiff cardboard. Fiona Rae provides a thick, impasto, acrylic, abstract expressionist painting that is numbered 227/500. -- Source of annotation: Marvin or Ruth Sackner.
W M Quinzieme Ou Pour En Finir Avec Le Presemeiotisme, 1966
War and Peace in the Global Village, 1968
This is the first edition of this text by the authors of "The Medium is the Massage." It brings together all forms of conflict, political, racial, and religious, into meaningful perspective. It offers ideas and an understanding essential to the "electric age." The ideas presented in this book seem to forecast the information age and even the advent of the Internet. The text is combined with multiple black and white images and includes many relevant quotations in the margins from James Joyce's "Finnagan's Wake." -- Source of annotation: Marvin or Ruth Sackner.
Water Works, 1978
Designated Chapbooks No.15. The author is also known as Jennifer Pike. -- Source of annotation: Marvin or Ruth Sackner.
Wer lieferte was?, 1989
This book consists of misprints of the exhibition catalogue "Ressource Kunst" that is held by the Sackner archive. -- Source of annotation: Marvin or Ruth Sackner.
Werkstatt Breitenbrunn: Druck Materialen 1970-1978, 1978
What Are You Doing?, 2008
The cover depicts a detail of a painting entitled "Non-Sectarian Crucifixion," a work held by the Sackner Archive. This work is also designated as Card 13 from "Stories from the Flats." -- Source of annotation: Marvin or Ruth Sackner.
What Are You Doing? [sealed], 2008
The cover depicts a detail of a painting entitled "Non-Sectarian Crucifixion," a work held by the Sackner Archive. This numbered work is also designated as Card 13 from "Stories from the Flats." -- Source of annotation: Marvin or Ruth Sackner.
What Poetiks, 1967
Whatever Happened to Luther Blissett? , 2005
Who Is This Balding Man, 1995
This print depicts a portrait of a banker. -- Source of annotation: Marvin or Ruth Sackner.
Why Banana?, 1982
list of tour dates for Anna Banana's performances/lectures of 1982, one is a simple typed list, the other is a tour poster
Winter Poem No.2 , 1975
Performed for the first time at 8th international sound-poetry festival in London, May 1975. -- Source of annotation: Marvin or Ruth Sackner.
[Woman Baby Hand], 1954
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
