Scope and Contents

This publication was conceived as an extension of Assembling. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is the digitized version of the book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a special copy that was printed on only the right sided, heavy paper pages. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Large listing of small press magazines. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue features silkscreened concrete poems on T-Shirts. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Subtitled "A Mail Installation." Also listed as Samsara Congeries Book 8. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This first edition book was printed in October 2002 to celebrate Xexoxial's reimergence into publishing & electronic networking. The collection was inspired by the gathering of more than 20 visual poets who attended the Second Wave festival at Ohio State University, Summer 2002. The book was dedicated to the life and art of David Cole and Bob Cobbing. It also appeared on And's website - downloaded by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This fourth edition depicts the images in color rather than in b&w as the first edition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This first edition depicted the images in black & white. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This assembling was produced by compiling the "favorite visual poems" by the invited contributors. Each poem is accompanied by the poet's own explanations of the works on a facing page. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This exhibition was put together by Carlos Luis. Prior to theshow, the poets visited the Sackner Archive and put on a performance at Dorsch gallery in Miami. It was reviewed: Visual lessons for poetry translators JOSE ANTONIO EVORA The New Herald The New Herald Draw up of Man is both titled one of only notebooks exhibited in the Visual sample Poetry (visual Poetry), opened in the Durban-Segnini Gallery until the 29 of April. It is a volume of heavy laminae that seems devised to count pedigree of the exhibition, so and as one assumes that a familiarized spectator must understand less it with that current of the visual arts that with traditional techniques like the painting or the sculpture. The title is already suggestive: Tracks of man. Her author, Carol Steter, put of a same side from drawings of Altamira and hieroglyphics to transit signals and you will capitulate of the press, happening through pentagramas, images of skyscraper, maps and warnings of urban direction. When calling...

Scope and Contents Marvin Sackner wrote the essay for this catalogue, entitled "Introduction to WordSeen Exhibition." To begin, I must declare a conflict of interest in writing this introduction. Such a statement is required when a physician presents a paper to a scientific audience while having ownership in a company or being paid for conducting studies on medical devices or drugs related to his lecture. Since I am a physician and my wife Ruth and I own works by most of the artist/poets in this exhibition, I wish to be in front with this declaration. Nevertheless, I believe that I can be objective in my views since the works in this exhibition must stand visual relevance by attendees to this exhibition regardless of what I say just like medical studies must stand the test of reproducibility by other investigators. I hope you get the point about my opinions on conflict of interest. In this introduction to the exhibition, I shall comment on the differences between concrete and visual poetry as well as...