This is a catalogue for the first major collection purchased by the Sackners in the formative stages of their Archive. Hoffberg was representing Richard Aaron, the bookdealer who owned this collection. Hoffberg had offered the collection to Jean Brown who did not buy it but referred the Sackners as potential buyers. -- Source of annotation: Marvin or Ruth Sackner.

This booklet was written for a workshop in a grade school class and is a second edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

Designated Wallet Number Three. Includes the following pamphlets: 11) Bettina Adler: eIghT FIGURES, 12) Allen Fisher: SSSSPEECH, 13) Allen Fisher: Atherapy studies group docket Q, 14) Jennifer Pike: Water Works, 15) Betty Radin: Masks, 16) Bill Griffiths, Bob Cobbing & Paula Claire: Gin Chap, 17) Paula Claire: Circuits, 18) Lawrence Upton: Loops, 19) Keith Musgrove: Tests and 20) Alison Bielski: Mobiles. -- Source of annotation: Marvin or Ruth Sackner.

Bill Griffiths' introductory essay explains how Cobbing has used the duplicator, ink, stencils and over-printing to create texts of shapes and textures. They "move away from word and letter as conventional symbols...into a new semantics of shape. The works in this book date from 1970 to 1976. -- Source of annotation: Marvin or Ruth Sackner.

This box contains reprints of 17 works, mostly published by Writers Forum, including "The Micro-Pathology of the Sign," a critical text in the form of a poem by Robert Sheppard, Processual (Almost), One, Two, Notation, 3, Spin-Off, Four, Quintet, Prosexual, Novation, Double-Octave, Spin-Off Two, Nonny-Nonny, Swarf Process, Summation and Supplement. -- Source of annotation: Marvin or Ruth Sackner.

The prints making up this catalogue were those that were displayed as the exhibition. They were reproduced from prior publications. Several originals by Dom Sylvester Houedard, Peter Mayer, Jeff Nuttall, and Tom Phillips from this exhibition are held by the Sackner Archive. There was no bound catalogue published on this exhibition. Therefore, the totality of this catalogue is unique. The work is an excellent reference for the examples of concrete and poetry done in the 60's and 70's. Edith Kalman did three micrographic calligraphic prints that have been scanned into this citation. The pamphlet lists the location of the works displayed. The prints comprising the exhibition are stored in their own box withing the cobbing matrial. -- Source of annotation: Marvin or Ruth Sackner.

The prints of these collages, also held by the Sackner Archive, were published by Writers Forum in 1982. -- Source of annotation: Marvin or Ruth Sackner.

One copy has a green acetate cover, the other a blue one. -- Source of annotation: Marvin or Ruth Sackner.