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Visual poetry

 Subject
Subject Source: Sackner Database

Found in 15 Collections and/or Records:

25 Ar i Branschen Ulf Linde / Reutersward, Carl Fredrik ; Fahlstrom O ; Ponge F ; Duchamp M ; Hulten P ; Oldenburg C., 1977

 Item
Identifier: CC-30205-31607
Scope and Contents

The newspaper supplement to the catalogue is the front and back covers of the January 19-20, 1963 issue of the New York Herald Tribune. On the back cover,a public notice is circled with red crayon. It reads, Carl Fredrik Reutersward Closed for holidays 1963-1972. The inner two pages describe a Reutersward performance with photographs that is entitled KILROY WAS HERE. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Autumn / Mayer, Hansjorg, editor ; Roth D ; Williams E ; Hamilton R ; Duchamp M ; Thomkins A ; Wewerka S ; Ranier A ; Latham J ; Phillips T ; Dohl R ; Lax R., 1992

 Item
Identifier: CC-38153-40047
Scope and Contents

Different parts of Tom Phillips' poster print, "Benches" are collaged onto the covers of the catalogues. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Et Tous Ils Changent le Monde / Dachy, Marc, editor ; Dachy M ; Malevich K ; Khlebnikov V ; Duchamp M ; Schwitters K ; Moholy-Nagy L ; Tzara T ; Arp H ; Iliazd ; Joyce J ; Jorn A ; Dubuffet J ; Wolfli A ; Restany P ; Maciunas G ; Mekas J ; Brecht G ; Cage J ; Beuys J ; Filliou R ; Kaprow A ; Gysin B ; Burroughs WS ; Williams E ; Kostelanetz R ; Higgins D ; DeCampos H ; DeCampos A ; Stein G ; Tinguely J ; Boetti A ; Weiner L ; Villegle J ; Messager A ; Nauman B ; Kruger B ; Arias-Misson A ; Flynt H ; Basquiat JM ; Haring K ; Armleder J ; Huelsenbeck R ; Ray M ; Mosset O ; Poynder M., 1993

 Item
Identifier: CC-27486-28534
Scope and Contents The exhibition, "Et Tous Ils Changent le Monde" ("And All of Them Change the World"), reveals, outside of major works, an ensemble of art moments that have been perceived as essential in the course of modern and contemporary art, the avant garde artists from the beginning of the century and those of today. Marc Dachy, who proposed the theme of the exhibition, writes in his preface that this biennale was to present Dada and its spirit, connections and relationships to contemporary art. Dachy gives a broad overview with reference to specific artists participating in the exhibition and describes their relationship to art movements such as Situationism, Art Brut, Conceptual and the language-art movements of concrete and visual poetry, Fluxus and Neo-Dada. The book is arranged such that each section deals with an individual artist. The section includes a reproductions of the works, a critical essay, an interview or documentation by the artists on his/her works. -- Source of...
Dates: 1993