This issue is replete with color images of concrete and visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

This book addresses the problems of environmentalism. Each contributor provided prints to sections that include 1) AID, 2) BABBLE, 3) BREED, 4) CHOKE, 6) ERASE, 7) MANY and 9) WET. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Chron #1 and Hit Broadside #3. -- Source of annotation: Marvin or Ruth Sackner.

Subtitled "Visual poetry and personal experience" this massive notebook contains writings and interviews on poetic and personal experiences of Huth. In diary-like form from his blog, Huth contributes concrete and visual poems. This work is an example of Huth's brilliance as a poet, writer, archivist, critic and publisher. A visit by Huth to the Sackner Archive on April 13, 2004 titled "Home Sweet Museum" is described. In an illuminating essay dated June 15, 2004 Huth describes how he writes and how he creates fidgetglyphs. -- Source of annotation: Marvin or Ruth Sackner.

Huth describes his visit to the Sackner Archive on April 13th in the section titled "Home Sweet Museum." -- Source of annotation: Marvin or Ruth Sackner.

This illustrated blog by Geof Huth records the tour of the Sackner Archive with his family. and continues with their trip through Florida and the Florida Keys and a visit with Bob Grumman. The report continues with visits to and communication with Spencer Selby, Andrew Topel, and, performances with Nico Vassilakis, Crag Hill, Jim Anderson titled "An Evening of Sound/Visual/Digital/Poetics.' -- Source of annotation: Marvin or Ruth Sackner.

Huth provides a review of all the presentations at the 2nd Avant Garde Writing Symposium held at the Ohio State Libraries. -- Source of annotation: Marvin or Ruth Sackner.

Geof Huth contributed an introduction to this book of visual poems. -- Source of annotation: Marvin or Ruth Sackner.

Designated post card II from the international exhibition, Sound Vision/Vision Sound III. -- Source of annotation: Marvin or Ruth Sackner.

The Allographer's Alphabet was written almost entirely in black ink on the verso sides and sockless in November in blue-black fountainpen ink almost entirely on the verso sides. The other four copies of Geof Huth, Nancy Huth, Erin Huth, and Timothy Huth with the exception of Erin's have different floral bindings to the Sackner copy. The two books are bound dos a dos. -- Source of annotation: Marvin or Ruth Sackner.

This was written during the 2nd OSU Library Avant Writers Seminar while Marvin Sackner was delivering the keynote speech. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a single visual poetic landscape. -- Source of annotation: Marvin or Ruth Sackner.