In his introduction to this print series Nannucci writes that "The growing importance of the visual over the verbal which started developing during the fifties, has doubtlessly influenced the proliferation of experimental poetry all over the world...This collection of unpublished poems is both a survey of the field made up to the end of the year 1970 and a proposal for the continuation of experimental work in poetry and for th e qualitative renewal of its original aspects." -- Source of annotation: Marvin or Ruth Sackner.

In his introduction to this print series Nannucci writes that "The growing importance of the visual over the verbal which started developing during the fifties, has doubtlessly influenced the proliferation of experimental poetry all over the world...This collection of unpublished poems is both a survey of the field made up to the end of the year 1970 and a proposal for the continuation of experimental work in poetry and for the qualitative renewal of its original aspects." -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts a reproduction of a Phillips' "Dante's Inferno" print that is also held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The objects are two green clothcovered eyeshades. -- Source of annotation: Marvin or Ruth Sackner.

The labels depict photographs of Nannucci's books, neons, magazines, postcards, objects and were meant to be affixed to pages of the first fold-out book. Templates with designation of the specific label appear on these pages. The text of the second fold-out book deals with critical analysis and documentation of the works in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This card depicts a photographic reproduction of a poem object made by Nannucci that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.