This issue has two major themes, experimental poetry in Latin America and the point that concrete and visual poetry preceded conceptual art. -- Source of annotation: Marvin or Ruth Sackner.

In an essay in this issue, Sarenco continues his polemics against Conceptual Artists like Kosuth and Merz calling them the "facists of the culture." -- Source of annotation: Marvin or Ruth Sackner.

In an editorial in this issue, Sarenco and de Vree distinguish concrete poetry from poesia visiva. Isgro, Miccini, Perfetti, and Vaccari contribute brief statements on the significance of visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes polemics against conceptual artists and concrete poets. -- Source of annotation: Marvin or Ruth Sackner.