Manuel de Seabra provides a brief classification list for this book: performance poetry, concrete poetry, sound poetry, mechanical poetry, and visual poetry. A section of this book deals with Coca Cola visual poems. -- Source of annotation: Marvin or Ruth Sackner.

This book surveys contemporary concrete and visual poets country by country. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of examples of Ovcacek's typewriter, letraset, and stencilled letter works done between 1962-1993 along with critical essays in the Czech language. Jiri Valoch contributed an introductory essay. Ovacek's typewriter poetry marks him as one of the foremost contributors to this style of concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Valoch thanks UU for issues of Gronk and submits poems for the Canadian magazine, "Spanish Fleye." Also, he states that he wishes to publish in Gronk. -- Source of annotation: Marvin or Ruth Sackner.

Each rendition of the single sord MERDE is in a different typeface. -- Source of annotation: Marvin or Ruth Sackner.

Contains a V shaped poem using all V's. -- Source of annotation: Marvin or Ruth Sackner.

This portfolio is the first Latin American anthology of visual poetry. -- Source of annotation: Marvin or Ruth Sackner.