Visual poetry
Subject Source: Sackner Database
Found in 772 Collections and/or Records:
[Humument Page 20: Six Variations] , 1986
The print depicts deconstructed images all involving women. The texts read from image on left to right and top to bottom, "(1) a course in Sussex; (2) a photograph of a curious muse; (3) constant to the subject - the subject extended - he talked and his range came - pursuing the subject; (4) fair sex in various capitals - the politics show; (5) came across a picture of flesh; and circles - The Art revelation; (6) her, smiling her last. - they were Europe." -- Source of annotation: Marvin or Ruth Sackner.
I Forgot My Flesh over the Slicer Machine, 1984
I. Score: Impossible Score, 1989
[I was Thinking about Oxmail], 1987
ideas of god, 2008
il bacio / poesia visiva, 1969
The poem features a music score by Robert Schumann with a couple kissing. -- Source of annotation: Marvin or Ruth Sackner.
Il Contesto, 1980
Consists of a small drawing (u.l.) mapping "il luogo dell'espeimento," an empty graph (l.l.), and 4 circles tracing mente, logica and mito (r.). -- Source of annotation: Marvin or Ruth Sackner.
Il Pino di Napoli , 1989
Il Quotidiano Cancellato, 1982
il silenzio scritto, 1993
The book is also designated as collana di poesie e prosa new series 29. The illustrations were done by Kiki Francheschi. -- Source of annotation: Marvin or Ruth Sackner.
Il Teatro Della Parola, 2011
The exhibition by Lora-Totino consisted of 48 works, one depicted on each page. -- Source of annotation: Marvin or Ruth Sackner.
Imaggio a Miccini , 2010
Imaginando la Poetica: Poesia Visual / Aguiar, Fernando., 2010
(Im)modest Piece, 1990
Individuelle Alfabete, 1995
Cover was designed by Rea Nikonova. Includes an introduction by Andryczuk and an essay by Pierre Garnier on constructivistic poetry. -- Source of annotation: Marvin or Ruth Sackner.
Industrial Woman, 1986
The prints with the same title are also held by the Sackner Archive. This book describes the inequities of women working in Australia. The book is documented with photographs and the photographs are also embellished with red lettering on the photograph. -- Source of annotation: Marvin or Ruth Sackner.
