Visual poetry
Found in 587 Collections and/or Records:
A Humument Page 20 (print), 1975
The image of this print appears to be fragments of a British flag. The poem reads, "searching for the complete extreme picture - he had lately done enumerated horse flesh; and water billiards - English Art." -- Source of annotation: Marvin or Ruth Sackner.
A Humument Page 59, 1980 - 1986
The poem reads " A most magnificent kind of woners catalogue - DOCUMDNT the universe; and vanish - doumenti--libri----multa--admirandi! - at his bedside - all the reading of the thing with the stamp of art. tp ms and rs." Here Phillips is prising the Sackners' catalogue of their collection of concrete and visual poetry(1986) for which he also designed the cover. The same poem with a different image as a print with only 'tp' for Hansjorg Mayer publications catalogue is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
A Humument Page 233 (print) , 2007
The poem reads, "Her man - free and tender days of Poetry - pay day of happiness; and love - Tickets ready - for Liverpool and expectancy - the glimmering shores of yesterday receding." -- Source of annotation: Marvin or Ruth Sackner.
A Humument Sixth Revision Page 53 , 2005 - 2011
The poem reads "the gallery of a hundred years of a thousand is in every street - art in the street covered deep with pictures vivified". Includes part of a map cut out. -- Source of annotation: Marvin or Ruth Sackner.
A Molest Proposal, 1985
A Song While the Billy Boils, 1976
[Abstract Figure with Calligraphic Mass], 1966-1967
The drawing depicts a large almost round, unidentifiable mass of densely pack words and letters, numbers and marks written in varied styles. A hanging abstract figure is placed adjacent to this mass. -- Source of annotation: Marvin or Ruth Sackner.
After the Sweets, 1994
Agentzia Blatt: Untitled. No.1, 1970
Letters, numbers and punctuation marks of varied font sizes appear to be falling, in a random arrangement, from the upper right hand corner of the print until reaching a circle filled with the photograph of a large group of people. The circle appears to represent a magnifying glass. The interpretation of this image is unclear. The duplicate copy is folded. -- Source of annotation: Marvin or Ruth Sackner.
Agentzia: In Concreto, No. 2, 1968
Includes folded posters, Jochen Gerz, Blatt-Nr.1: Untitled and Julien Blaine, Blatt-Nr.4. The poster by Gerz is included in Agentzia 2 but is catalogued separately. -- Source of annotation: Marvin or Ruth Sackner.
Aggregat K, 1993
This collection of reproductions of a work first published in 1987 accompanies "Zwischen dem Einst und dem Einst." The dimensions of the prints in this folder are much smaller than the originals. -- Source of annotation: Marvin or Ruth Sackner.
Airpoet, 1980
[Aliquotality], 1973
Depicts six word and image columns that include the Statue of Liberty, a cowboy, numbered cubes and aphorisms. This print is depicted in Furnival's "Lost For Words" on pages 58-59. -- Source of annotation: Marvin or Ruth Sackner.
All My Rubber Stamps (all together now) , 2010
All My Rubberstamps: 15 Years in 1 Page , 1991
An edition of this drawing was designed and produced by Picasso Gaglione which is also held by the Sackner Archive. The rubberstamped image included all of Baroni's rubberstamps on one page. -- Source of annotation: Marvin or Ruth Sackner.
Alphabeings & Other Seasyours, 1976
[alphabetical picture], 1997
This work was included in pete spence's archive. -- Source of annotation: Marvin or Ruth Sackner.
Amazing Rayday, 1965
Amazing Rayday 2, 1965
Anabasi Senza Nome: Poesa Visuale e Libro D'Artiste in Italia, 1997
The text deals with historic aspects of artist books, concrete poetry, and visual poetry in Italy during the twentieth century with illustrations from the seveties and eighties. The collage is tipped-in to the page facing the title page. -- Source of annotation: Marvin or Ruth Sackner.
