John Furnival provided the illustrations to Hollo's poems and designed the cover. -- Source of annotation: Marvin or Ruth Sackner.

This sculpture serves as a support for Astrid Furnival's knitted sweater "Un Coup de Des." -- Source of annotation: Marvin or Ruth Sackner.

This sculpture serves as a support for Astrid Furnival's knitted sweater "Un Coup de Des." -- Source of annotation: Marvin or Ruth Sackner.

Photograph depicts a panel of a screen from Furnival's language tower drawings, a work in progress. Furnival writes that Jonathan Williams will be coming to England in May and Dom Sylvester Houedard is in Scotland. -- Source of annotation: Marvin or Ruth Sackner.

This depicts a black and white portrait of Eric Satie with rainbow colored eye glasses? or eye brows? The citation "Arc-En-Oeuil en Arcueil" is printed at the bottom of the print. In another copy, the same citation is on a blue rectangle.Arcueil is the name of the town south of Paris where Satiespent some time. -- Source of annotation: Marvin or Ruth Sackner.

This depicts a black and white portrait of Eric Satie with rainbow colored eye glasses? or eye brows? The citation "Arc-En-Oeuil en Arcueil" is printed on a blue rectangle at the bottom of the print. In another copy, the same citation is printed without the blue rectangle. -- Source of annotation: Marvin or Ruth Sackner.

This is a detail photograph of the Statue of Liberty that was composed with words on a 6 x 4 foot screen done with pen and ink on board. -- Source of annotation: Marvin or Ruth Sackner.

This photograph of the center panel of one of Furnival's screens shows the Statue of Liberty which is totally composed of text. -- Source of annotation: Marvin or Ruth Sackner.

Appears to be a montage of ideas for what was to become Furnival's classically drawn visual poems. The elements consist of architectural elements, sign numbers, and lettering. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was a very large, diversified survey of contemporary concrete and visual poetry. The catalogue includes several critical essays written in Portuguese along with English translations. It features essays on the poetry scene in Latin America and other countries. The pamphlet is a program of events held in conjunction with the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

A German soldier wearing a Nazi armband is driving a steamroller over a road paved with random numbers (perhaps signifying the victims of the Nazis) as well as numbers of several years of the 20th century. Smoke arising from the engine contains rows of paper cut-out figures going heavenward signifying the holocaust. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue served for an exhibition held at the Smallpress Bookfair at Victoria College Nov. 1992. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a listing of works by Jonathan Williams. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features the prints of Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

The drawing is dominated by the listing of four silkscreened words listed from top to bottom, viz., Norther, Easter, Wester and Souther. Wide colored lines in a meandering fashion like unwound, tangled tape from a casette cross, encircle and go under the four directional words. The caption below these words reads, Regional News: one line the shortest distance between two points bing the prettiest. On the right side, Furnival draws in graphite, Paris c'est beauborg n'est pastiche. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue mentions that Furnival's works are held by the Sackner collection. -- Source of annotation: Marvin or Ruth Sackner.