One of the loose sheets is a reproduction of a letter to Dorflies, another a letter to Martini. The afterword was written by Lora-Totino. -- Source of annotation: Marvin or Ruth Sackner.

This book reviews visual and concrete poetry with calligraphic themes in Italy during the seventies. Its translation into English without the images is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

This is the English translation of Ugo Carrega's Scrittura Attiva, Bologna: Zanichelli, 1980, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The poem by Stelio M Martino entitled "Aquarium" is dedicated to Caruso. -- Source of annotation: Marvin or Ruth Sackner.

The poem by Stelio M Martino entitled "Aquarium" is dedicated to Caruso. -- Source of annotation: Marvin or Ruth Sackner.

Visioni del Particolare, 1981 a suite of drawings by Vincenzo Accame and "Bianco/Nero," a unique book by Enzo Miglietta, which are held by the Sackner Archive are depicted in this book. -- Source of annotation: Marvin or Ruth Sackner.

Apolloni's visual poetic work comprises mostly, calligraphic cartoons. These are extensively reproduced in the book along with critical essays by other poets and writers. -- Source of annotation: Marvin or Ruth Sackner.

The collage by Caruso consists of a folded letter with handwriting and an image of a dock scene. The collage by Martini depicts three silhouettes of a man's head utilizing a written document as its basis. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists the various series comprising "Le Brache di Gutenberg." -- Source of annotation: Marvin or Ruth Sackner.