Thirty of the 36 pqges are visual poems. -- Source of annotation: Marvin or Ruth Sackner.

This drawing that was done on translucent paper consists of grids of labyrinths composed of text and abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of a grid of 4 x 8 images drawn mostly in red and to a lesser extent in black ink. Each drawing is numbered as if planned for pages of a book. -- Source of annotation: Marvin or Ruth Sackner.

Contains reproductions from the Artist Book "Libro Dei Contrari" by Enzo Miglietta. This book is held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The drawing is divided into a grid as a template for printing the pages of an artist book. The latter in an edition of 20 copies is also held by the Sackner Archive. The images consist of red and blue stick figures and mechanical gears, all constructed using a calligraphic, micrographic text. -- Source of annotation: Marvin or Ruth Sackner.

The original drawing for this book is held by the Sackner Archive. The images consist of black, red and blue stick figures on one side and mechanical gears with pulleys on the other. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue mentions that the Sackner Archive holds Miglietta's works. -- Source of annotation: Marvin or Ruth Sackner.

This drawing of five images with surrealistic creature-like shapes composed with white ink on black paper was done in the style reminescent of Judith Copithorne's calligraphy of the late 60's. -- Source of annotation: Marvin or Ruth Sackner.

The poem is formed with silhouettes of human figures in various poses. -- Source of annotation: Marvin or Ruth Sackner.

This drawing made with printed letterform tautologic text achieves an optical image quality through differences in spacing of the letters. -- Source of annotation: Marvin or Ruth Sackner.

This calligraphic drawing on translucent paper depicts three gear-like forms connected with pulleys. -- Source of annotation: Marvin or Ruth Sackner.

This is mostly signed reproductions of a suite of prints first done in 1978 that consisted of different images with the same micrographic backgriound numbered one to ten and sublabeled combinations of lower case letters. The holdings are not a complete set of all the images. This suite of prints consists of 1) 3 prints solely of micrographic background, 2) #1 two prints with added text over text, 3) #2 two prints with added text over text, 4) #3 three prints with added text over text, 5) #4 four prints with added text over text, 6) #5 three prints with added text over text, 7) #6 three prints with added text over text, 8) #7 one print with added text over text, 9) #8 two prints with added text over text, 10) #9 two prints with added text over text, and 11) #10 two prints with added text over text, -- Source of annotation: Marvin or Ruth Sackner.

This drawing on orange paper depicts leaves arranged symmetrically radiating from the center outward. The leaves are formed with written letterforms in red ink and intersperced vertical spokes with printed letterforms in blue ink. -- Source of annotation: Marvin or Ruth Sackner.

The four drawings are joined together with tape. Gold paint forms the background of these drawings; it is incised with printed and written letterforms as well as hieroglyphics. To a lesser extent, Miglietta has written words in black and white inks in a tautologic fashion. Explanations of the images have been provided by Miglietta on the bottom verso portion of each of the four drawings. -- Source of annotation: Marvin or Ruth Sackner.