The Emily Harvey Foundation also supported this publication. -- Source of annotation: Marvin or Ruth Sackner.

Reproduces in color the painting by Tom Phillips, "The Sackner Artchive," taken from the Phillips' exhibition catalog, Works and Texts 1992. This painting was commissioned by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent six works to this exhibition which was acknowledged in the pamphlet. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue includes an essay by Marvin Sackner, "The Collector as a Performer" that is printed in English and also French with a translation by Albert Behar, his grandson. Photographic reproductions of the artworks lent by the Sackner Archive as well as an interior photograph of their apartment that houses the Archive are also included in this catalogue. Artists whose works were lent by the SacknerArchive to this exhibition and are photographically reproduced in this catalogue include Ben, Hubaut, Nadau, and Seille. In addition and not photographically reproduced, several Lettriste magazines were also displayed in a case. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue includes an essay by Marvin Sackner, "The Collector as a Performer" that is printed in English and also French with a translation by Albert Behar, his grandson. Photographic reproductions of the artworks lent by the Sackner Archive as well as an interior photograph of their apartment that houses the Archive are also included in this catalogue. Artists whose works were lent by the SacknerArchive to this exhibition and are photographically reproduced in this catalogue include Ben, Hubaut, Nadau, and Seille. In addition and not photographically reproduced, several Lettriste magazines were also displayed in a case. Jacques Halbert has signed his illustrated page and placed a cherry sticker. Joel Hubaut contributed a full page drawing opposite the illustration of his work "Hologramme vivant." He drew this while a guest at the Sackners apartment during the exhibition opening festivities. -- Source of annotation: Marvin or Ruth Sackner.

Klessinger combines abstract sculpture with handwritten texts. The materials include rock, mirrors, transparent paper, zinc, and stone. His idea is to that poetics in conjuction with space give meaning beyond the written word. The Sackners are mentioned as having work by Klessinger in their collection. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of an exhibition in which all the works were loaned from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent 29 works to this exhibition. Ruth and Marvin Sackner delivered a talk about their collection at the exhibition opening. The exhibition was reviewed in Art on Paper Vol.8 No.1, 2003. -- Source of annotation: Marvin or Ruth Sackner.

Eye a book object from 1983 held by the Sackner Archive is depicted in this book. The CD is titled "Visual Poetry in the Avant Writing Collection, Ohio State University. -- Source of annotation: Marvin or Ruth Sackner.

Mention is made that Clinefelter's work is held by the Sackner Archive. With one exception, each page depicts a "...Rorschach Visualization of the Sounds of the Greatest Prominence in most Syllables." -- Source of annotation: Marvin or Ruth Sackner.