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Visual/verbal

 Subject
Subject Source: Sackner Database

Found in 11 Collections and/or Records:

50 mal Liebe / Deisler, Guillermo., 1994

 Item
Identifier: CC-16107-16450
Scope and Contents

The title translated into English means 50 love times and the expressionist drawings depict erotic scenes. The word "liebe" (love) is typed five times on each of 10 pages with the letters rearranged in a block. The image on the artist bag is a stylized penis with the words "ne pas plier" rubberstamped over this image. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Found Poetry / Deisler, Guillermo., 1991

 Item
Identifier: CC-16328-16678
Scope and Contents

Pages are different sizes and were assembled from magazines, books, postcards, and advertisements. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Kontrapunkt / Deisler, Guillermo, editor ; Ebel G ; Tarlatt U., 1992

 Item
Identifier: CC-14662-14975
Scope and Contents

Most works in this book were made by Deisler. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Le Monde Comme Il Va / Deisler, Guillermo., 1976

 Item
Identifier: CC-29589-30959
Scope and Contents

Each of the nine works in this small book contains the same global symbol for the world incorporated into the design. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Non Kon Form / Warnke U ; Deisler G ; Gunther T ; Tarlatt U ; Jahn S ; Kowalski J ; Claus CF ; Bach C ; Prautzsch HU ; Zylla K., 1992

 Item
Identifier: CC-05678-5785
Scope and Contents

This catalogue documents an exhibition of works from East German artists and poets over the years 1979-1989. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Private World / Gutierrez-Marx G ; Bleus G ; Bruscky P ; Luis ; Deisler G ; Sevcik P ; Rehfeldt R ; Bille P ; Lenoir P ; Diotallevi M ; Lora-Totino A ; Cohen R ; Kamperelic R ; Stake C ; Petasz P ; Groh K ; Cole D ; Dogfish ; Minoy ; Padin C ; Arts A ; Baroni V., 1987

 Item
Identifier: CC-04883-4980
Scope and Contents

This is the 2nd edition of catalog for exhibition curated by Andrej Tisma. The latter provides an excellent historic introduction to mail art for this exhibition which was initiated in 1984. It consisted of participants from 32 countries. Tisma selec the theme because "...nature of mail-art as an art of communication, correspondence, something which issues from the artist's intimate experience and which enters another person" & "...private life of man is becoming increasingly problematic." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987